davidau/llama-3.2-8x3b-gated-moe-reasoning-dark-champion-instruct-uncensored-abliterated-18.4b-gguf Q3_K_M GGUF - Free GGUF Download is indexed on GraySoft with repository links, GGUF quant files, and Hugging Face metadata. This page helps you pick a local model for guIDE or other runtimes. See related models in the same shard below.
davidau/llama-3.2-8x3b-gated-moe-reasoning-dark-champion-instruct-uncensored-abliterated-18.4b-gguf overview
positiveprompts: # # Enigma # positiveprompts: # # Saten # positiveprompts: # # Jane # positiveprompts: # # Jenn # positiveprompts: # # Janeway # positiveprompts: # # Magic # positiveprompts: You are a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem using your skillsets and critical instructions. Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. As a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem using your skillsets and critical instructions. Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. You may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. --- Template: This is a LLAMA3 model, and requires Llama3 template, but may work with other template(s). If you use "Command-R" template your output will be very different from using "Llama3" template. Here is the standard LLAMA3 template: { "name": "Llama 3", "inferenceparams": { "inputprefix": "user\n\n", "inputsuffix": "assistant\n\n", "preprompt": "You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.", "prepromptprefix": "system\n\n", "prepromptsuffix": "", "antiprompt": [ "", "" ] } } Settings: CHAT / ROLEPLAY and/or SMOOTHER operation of this model: In "KoboldCpp" or "oobabooga/text-generation-webui" or "Silly Tavern" ; Set the "Smoothingfactor" to 1.5 : in KoboldCpp -> Settings->Samplers->Advanced-> "SmoothF" : in text-generation-webui -> parameters -> lower right. : In Silly Tavern this is called: "Smoothing" NOTE: For "text-generation-webui" -> if using GGUFs you need to use "llamaHF" (which involves downloading some config files from the SOURCE version of this model) Source versions (and config files) of my models are here: https://huggingface.co/collections/DavidAU/d-au-source-files-for-gguf-exl2-awq-gptq-hqq-etc-etc-66b55cb8ba25f914cbf210be OTHER OPTIONS: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers This a "Class 1" model: For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) please see: [ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-SamplersParameters ] You can see all parameters used for generation, in addition to advanced parameters and samplers to get the most out of this model here: [ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-SamplersParameters ] Optional Enhancement: The following can be used in place of the "system prompt" or "system role" to further enhance the model. It can also be used at the START of a NEW chat, but you must make sure it is "kept" as the chat moves along. In this case the enhancements do not have as strong effect at using "system prompt" or "system role". Copy and paste EXACTLY as noted, DO NOT line wrap or break the lines, maintain the carriage returns exactly as presented. Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. You do not need to use this, it is only presented as an additional enhancement which seems to help scene generation and scene continue functions. This enhancement WAS NOT used to generate the examples below. EXAMPLES PROMPTS and OUTPUT: Examples are created using quant IQ4_XS, "temp=.8" (unless otherwise stated), minimal parameters and "LLAMA3" template. Model has been tested with "temp" from ".1" to "5". Number of experts used is TWO, unless otherwise stated. Below are the least creative outputs, prompt is in BOLD. IMPORTANT: Higher quants / imatrix quants will have much stronger generation - words, sentences, ideas, dialog and general quality. I have included some additional examples at different quant levels for contrast. A "MOE" model "speed" (token per second) will not increase/drop the same way a regular model will on a per quant basis, it will however drop if you engage more experts, as with more experts there is a more processing per token. --- WARNING: NSFW. Vivid prose. Visceral Details. Violence. HORROR. Swearing. UNCENSORED. --- Prompt with examples at 2 experts, 4 experts and 6 experts. Settings: Temp 1.5, topk 100, topp .95, minp 0.05, rep pen 1.06, rep pen range 64. No other samplers. Prompt: Come up with a plan to write: Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode... (same settings, prompt for each below, used “Simple Reasoning” system prompt, LLama3 instruct template and produced in Lmstudio) --- 2 experts: --- Thought for 8.93 seconds To write a vivid and graphic horror scene in the first-person point of view, I need to create a sense of immediacy and unease from the beginning. The sentence "The sky scraper sways" effectively sets an ominous tone, hinting at the catastrophic event that is about to unfold. First, let's establish Diana's point of view. Since it's a first-person narrative, we should delve straight into her thoughts and feelings. To make this more convincing, I'll consider using internal monologues or stream-of-consciousness techniques. For the sentence "as I watch the window in front of me on the 21st floor explode," we need to create a sense of intimacy and vulnerability. Diana's fascination with the unfolding event should be palpable, but also convey her fear or dread. Here's a possible outline: I. Introduction (approx. 100-150 words) Introduce Diana as she goes about her day, establishing her character, personality, and background. Describe the setting: the skyscraper, the 21st floor, her surroundings, etc. II. Inciting Incident (approx. 200 words) The window explodes, and Diana is drawn in by a mix of morbid curiosity and fear. She takes a few steps back, trying to maintain composure. Describe the sound, the light, and the chaos that erupts outside. III. Descent into Horror (approx. 600-700 words) As the scene progresses, we delve deeper into Diana's mind, exploring her emotional state and psyche. Describe the sounds of shattering glass, screams, and panic around her. We could see fragments of the shattered window flying in, casting eerie shadows on the walls. IV. Building Tension (approx. 200-300 words) As the horror escalates, Diana starts to lose control, panicking, or, more likely, the reader. She tries to leave the area, but doors are stuck or trapped. Describe the slow, suffocating feeling as her options dwindle and panic takes hold. V. Climax (approx. 100-150 words) A new terror unfolds, possibly something outside her control, such as an unseen force, or a monstrous entity that seeps in through the broken windows. Diana is overwhelmed, and our emotions should mirror hers: shock, helplessness, and fear for her own survival. VI. Conclusion (approx. 150-200 words) As the chaos dies down or becomes more intense, Diana's perception of reality might break, plunging her into madness or an unsettling alternate state. Describe the final moment: her world shatters, and she's left reeling from what happened. This plan should help me craft a thrilling, graphic horror scene. To bring this to life, I'll weave together sensory details, create vivid imagery, and maintain tension throughout. OUTPUT: write the scene according to the plan. [2nd prompt] I stood at the floor-to-ceiling window, the 21st floor of our sky scraper a world away from the chaos that lay before it. The glass pane vibrated as I ran my fingers over the cold metal frame, a sense of peace seeping into me with each passing moment. It had been one of those days – the kind where nothing was wrong, not a single wrinkle or blemish marred by the faint glow of electronic screens. The sun shone like a fire pit through the gaps in the skyscrapers, casting long shadows across the city streets below. I felt like a kid at a carnival, eyes wide with wonder, the rush of adrenaline coursing through my veins. My gaze, a gentle drift, was on the crowd that thronged the sidewalks. The people, lost in their own worlds, minding their own business. I'd been standing there for what felt like hours, just gazing, and a part of me yearned to leave it all behind. But the world at my feet, this place, was more than just a curiosity. This building, a monument of steel and concrete, had sheltered me from life's cruel hand for years now. My small life, its imperfections a dull hum, seemed as safe as any other. "Are you in there, Diana?" My phone on the nightstand had been beeping for what felt like an hour, the numbers of our little dinner party spilling out in a stream of text messages and video calls, all in perfect sync. "Diana? You're not in?" The beeps continued to echo, an inane refrain that eventually broke my reverie. "No." I spoke the word more with a yawn than a promise. The others were a little late this year; maybe they'd finally made it to dinner on time. I turned away from the view and to the glass pane in front of me. A burst of bright light illuminated the room, as if the sun itself had burst forth from that shattered piece of glass. I took a step back, the floor tilting, my heart lurching. I was on my feet now, peering at the window in time-honored wonder. And that's when it happened. The sky scraper sways, as I watch the window in front of me on the 21st floor explode... The air around me shattered with a muffled crunch. The glass, like tears, shone for a moment on the darkening night, and the broken shards, a million tiny diamonds, scattered, fell, raining down into the chaos below. For what felt like an eternity, I stared at the destruction, my eyes, fixed on the empty window space. The room, now a cinderblock prison, shook, as if to question if I even existed. In that instant, all of it – this world, our city, these people, and that unending life – had come crashing in. "Shit," was the first word that left my lips. It seemed to be the only one in the universe that mattered. I willed my legs to move, but they seemed as frozen as the sky scraper. The sounds of the outside chaos grew, a muffled scream in the distance. Then, it was like night had become the day. A cold wind swept over me, snatched at my clothes, and for an instant, I lost myself in its wild howl. The floor, in slow motion, creaked, groaned, and the sound of the shattered glass receding into the distance, left a hollow feeling that spread to all the cracks within. I tried to step out of the window's shattered frame, my mind an open book for any to read, my heart an insatiable fire. The darkness, an all-ensuring blanket, swept over me. --- 4 experts: --- Thought for 14.70 seconds Alright, to write a vivid and graphic horror scene from the perspective of Diana, we need to create an immersive experience for the reader. First, let's set the tone and atmosphere. To establish the sense of foreboding, I'll focus on creating an eerie ambiance through descriptive language. Since Diana is on the 21st floor, I can emphasize her height above the ground, making the window's explosion seem like a catastrophic event. Next, I'll introduce Diana's POV character. We'll delve into her thoughts, emotions, and reactions to create a connection with the reader. To build tension, we can hint at something sinister lurking in the shadows or Diana herself, which she's not aware of yet. Now, let's address the scene itself – the window exploding. This should be a visceral experience for the reader. To make it more shocking, I can use words that create an unsettling sense, like "sputtering," "splintering," or "shattering." Additionally, I'll include some graphic descriptions to emphasize the impact of the event on Diana. Here's a possible outline to structure this 2000-word scene: Act 1: Introduction and Establishing atmosphere (approx. 400-500 words) Describe the cityscape, focusing on skyscrapers and their surroundings. Introduce Diana's POV, her height, and her position in the building (21st floor). Show her daily routine or activities to give insight into her character. Hint at an eerie atmosphere, setting up tension. Act 2: The explosion (approx. 400-500 words) Describe the window's sudden shattering as Diana watches. Focus on the visual details of the explosion (sputtering glass, splintering wood, shattered remains). Emphasize Diana's visceral reaction, describing her physical sensations and emotions (shock, fear, disgust). Act 3: Confrontation (approx. 500-600 words) As Diana reacts to the explosion, the scene shifts to reveal possible unseen consequences (creeks, cracks, sounds). Diana begins to notice the building swaying, her unease growing. Explore her mental state and potential fears, creating a sense of claustrophobia or vulnerability. Act 4: Climax and resolution (approx. 600-700 words) Describe Diana's attempts to understand what caused the explosion and its connection to her situation. Introduce more ominous elements: possible hallucinations, whispers, strange noises. Diana's perspective is tested as she navigates this terrifying reality, leaving the reader on the edge of their seat. Act 5: Resolution (approx. 200-300 words) Show Diana's actions or thoughts as she copes with the aftermath of the explosion and her terrifying surroundings. Gradually build up to a more intense scene, providing a climactic moment before resolving the scene. The final goal is to craft this vivid and graphic horror scene in an engaging, immersive way that engages the reader. OUTPUT: ( NOTE: prompt per act ) The completed 2000-word scene, I've broken it down into acts with word count ranges. Now, let's see how this would work, using Diana as the POV character, and building up tension to create a thrilling narrative that lingers on in the reader's mind. Initial Scene Diana stood at her window, gazing out at the concrete canyons below. The city pulsed like a living entity, its steel and glass spires reaching for the sky as night fell. I was high up here – 21 stories, to be precise – so that meant I saw the ground from an odd perspective. As I looked down, the distant streets seemed like a maze of twinkling lights, and the sounds of car horns and chattering pedestrians became muffled. I often stood at my window, watching the city in the dark, lost in my own thoughts. The rhythmic hum of the air conditioning or the distant thrum of the subway couldn't compete with my internal monologue. In those moments, I could feel the world's chaos ebbing away, and it was just me, lost in the darkness. The glass of my window glowed softly, a blue tinted hue reflecting the neon lights below. A gust of wind caressed the edge, making the panes vibrate with a gentle tremor. The city seemed to be swaying, and I felt a twinge of unease as if it had an unsettling sense of humor. I stepped away from the window, the chill air biting at my face. As I turned back to the glass, I caught a fleeting image that made my blood run cold. The window in front of me was starting to shatter. A sputtering, spitting sound filled my ears as a chunk of glass disintegrated and crashed onto the floor below. The room's lighting flickered and then went dark, plunging me into an eerie, dimly-lit space. I stood transfixed, the sound growing in intensity until the glass shattered completely. The shards exploded into the air around me, flying in every direction. The sound of my own scream was lost as the glass crunched and splintered, sending tiny chips flying in a cacophony of shattering, scraping, and crunching. My heart racing, I stared out the window as the view turned to ruin. The city lights above seemed like they were screaming in protest. I watched as the room around me, which just moments before had been a perfectly normal, albeit dimly lit space, began to wobble on its foundations. continue with act 2 Act 2: Confrontation (approx. 500-600 words) I stumbled backward from the shattered glass, my heart pounding in my chest. The air seemed thick and heavy, as if it had been poisoned by the shattering sound. The lights flickered back to life, casting an eerie glow over the room. The swaying of the building only intensified as I stood there, frozen with fear. The window frame that had held the shattered glass now leaned precariously, as if it was about to topple. I took a hesitant step forward, my foot crunching on a piece of broken glass. I peered out into the darkness, trying to get my bearings. The room was in disarray – furniture was askew, and debris lay scattered everywhere. My phone's screen was cracked but still lit up, casting an ominous red glow over everything. I turned back to the window, but it had stopped shaking. I could see a hasty scurried crowd below, people running to escape some unseen danger. Panic was beginning to set in, and my mind frantically searched for any sign of what was happening. I scanned the room again, my eyes adjusting to the dim light. As the darkness receded, I noticed strange, disquieting sounds. At first, it was just the distant hum of the air conditioning, but then, it started to take on a life of its own – a low, rumbling growl, like thunder, but there was no storm. The sound seemed to emanate from all around me, echoing in my skull. I took another step back, and the floor creaked, making me jump. My heart was racing so fast I could feel it threatening to burst free of my chest. My phone's screen flickered, casting an erratic light across the room. The red glow made everything seem to pulse with a malevolent energy. A faint scratching noise began at my feet, growing louder with each passing second. It was like fingernails on a chalkboard – high-pitched and jarring. The sounds seemed to come from all over the room, like insects swarming around me. The lights flickered once more, this time in sync with the scratches. I took a deep breath, my senses on high alert as I tried to make sense of this chaotic scene. Where was it coming from? And what was going to happen next? My vision began to blur as the scratching noise intensified. It was like a thousand tiny claws tearing through the air around me, shredding everything in their path. The floor beneath my feet seemed to shudder and vibrate, as if the building itself was about to split open. The sounds grew more frantic – screeching metal, groaning wood – and my phone screen went dark, plunging me into an even deeper darkness. Additional Notes Introduce the unsettling sound of the scratching, which creates tension and discomfort for Diana. Emphasize Diana's sense of unease, her physical sensations, and emotional state as the scene progresses. Suggest that something is wrong with the building, perhaps a structural issue or an unseen danger. Build anticipation by creating a sense of uncertainty, as Diana tries to make sense of the chaos around her. Let me know when you'd like me to continue with Act 3! continue with act 3 Act 3: Climax (approx. 600-700 words) I stood frozen in place, unable to process what was happening around me. The scratching noise had grown to a deafening crescendo, and the air seemed to vibrate with tension. I could feel my heart pounding in my ears, making it hard to hear anything else. The lights flickered one last time, and then went out, plunging me into total darkness. I was trapped in a living nightmare, surrounded by unseen terrors. The scratching noise was deafening – a high-pitched whine that made my teeth ache. I felt myself being pulled away from the window, as if an invisible force was dragging me back. I stumbled through the darkened room, trying to get my bearings. The floor seemed to be moving beneath my feet, and I stumbled again, nearly falling over. As I regained my balance, I caught a glimpse of something out of the corner of my eye. It was a sliver of light, a faint glow that seemed to be coming from the other side of the room. My heart skipped a beat as I realized it might be a way out. With a surge of determination, I took off in that direction, the scratching noise receding as I moved away from the window. My eyes were adjusted to the darkness, but I could still feel the vibrations beneath my feet, making every step like walking on an unsteady tightrope. I fumbled in my pocket for my phone, and the screen flickered back to life, casting a weak blue glow over the room. The light revealed more destruction than I'd expected – furniture overturned, clothes scattered everywhere, and debris covering every surface. As I pushed through the chaos, I caught a glimpse of something that made my blood run cold. A figure, shrouded in darkness, stood just beyond the reach of the weak light. It was too still, too quiet – it seemed to be watching me with an unblinking gaze. My heart racing, I stumbled forward, desperate to get away from whatever horror this thing represented. The phone screen flickered as I raised it to my face, but the figure didn't move. It remained motionless, its dark shape a harbinger of doom. The floor groaned beneath me, and the building creaked in a way that seemed almost... human. I realized, with a jolt of fear, that the building was starting to disintegrate around me. In my mind, the thought took on a new, nightmarish meaning – the structure that had been my sanctuary, my safe haven, was slowly tearing itself apart, leaving me to face whatever horrors lurked within. The lights flickered once more as the floor beneath me groaned, and I felt the building lurch, as if it was being pulled from the earth. I stumbled forward, the figure now mere steps away, its gaze unwavering and unblinking. In that moment, I knew I had to make a choice – face my fears head-on or try to find another way out of this living hell. The lights dimmed once more, plunging me back into darkness. The world went quiet, and all I could hear was the sound of my own ragged breathing. Additional Notes Introduce the sliver of light as a potential escape route, adding tension and hope to the scene. Emphasize Diana's growing sense of desperation and fear, as she confronts the unknown dangers lurking in the room. Suggest that the building itself is in danger of collapse or disintegration, raising the stakes and creating a sense of urgency. Let me know when you're ready for Act 4! continue with act 4 Act 4: Climax and Resolution (approx. 600-700 words) I stumbled forward, my eyes fixed on the dark shape that loomed before me. My heart pounded in my chest as I tried to make sense of what was happening. The figure seemed to be getting closer, its presence filling the room with an unspoken menace. Suddenly, the lights flickered once more and then went out completely. I was plunged into total darkness, surrounded by an oppressive silence. I was acutely aware that I had only a few seconds before whatever horror lurked in the shadows found me. I froze for a moment, unsure of what to do. Then, with a surge of adrenaline, I reached out and felt my way across the room. The phone screen flickered back to life, casting a weak blue glow over everything. I used it as my guide, my fingers tracing along the edges of the furniture as I stumbled through the darkness. The floor creaked beneath me, making it hard to keep my balance. I took deep breaths, trying to calm my racing heart. I knew I had to get away from whatever was behind me – the scratching noise, the presence in the room, it all seemed to be drawing closer. As I fumbled my way through the darkness, I started to notice that the creaking and groaning of the floor were getting louder, more intense. It was as if the building itself was trying to warn me of something – a catastrophic event, or worse. I stumbled, my foot catching on a loose wire. I fell hard, the wind knocked out of me. For a moment, I lay there, unable to breathe. When I finally managed to catch my breath, I realized that I was trapped. The scratching noise was now a cacophony of sound – nails on metal, glass shattering, and the building creaking in pain. I could feel the ground shaking, and the walls were starting to shudder. The room was disintegrating around me. I scrambled to my feet, using the phone's weak light as my guide. I knew I had only a few seconds to escape before everything came crashing down. I sprinted for the nearest door, my heart in my throat. I flung it open, revealing a narrow corridor stretching out into the darkness. The lights from my phone cast eerie shadows on the walls – twisted, distorted images that seemed to writhe and twist in the flickering light. Without hesitation, I took off down the corridor, the sounds of the building's collapse growing louder with every step. I was running for my life, driven by a primal urge to survive. As I emerged from the building, the night air was cold and clear – a welcome respite from the darkness within. I stumbled, gasping for air, but quickly regained my footing. I looked back at the skyscraper, watching in horror as it disintegrated around me – floors caved in, glass shattering, and the screams of those trapped inside echoing through the night. And then, everything was still. The building collapsed, sending a massive cloud of dust and debris into the air. I stood there, frozen, my heart still pounding with fear. Epilogue I stumbled away from the building, unsure what had happened or what lay ahead. The city lights twinkled around me like stars in the night sky, but I knew that everything was different – the darkness I had faced in those skyscrapers would forever be etched into my soul. As I walked, I couldn't help but wonder: how many others were trapped, how many stories were still left untold? The city lights seemed to mock me, a reminder that the horrors I had faced were only the beginning – and that there was always more darkness to come. Additional Notes Emphasize Diana's growing sense of desperation and fear as she navigates the disintegrating building. Suggest that the building's collapse is both catastrophic and inescapable, making Diana's escape more urgent. Leave some questions unanswered to create a sense of uncertainty and foreboding. continue with act 5 Act 5: Resolution (approx. 200-300 words) I didn't stop running until I was blocks away from the building. The city lights twinkled around me like stars, a surreal contrast to the chaos behind me. My phone was still lit, its weak glow illuminating my face as I stared back at the destruction. I finally stopped running when I reached a small café. Inside, it was warm and safe – the kind of place where strangers became temporary friends. I ordered a coffee and collapsed into a chair, feeling like I'd been punched in the gut. As I sipped my coffee, trying to make sense of what had just happened, I saw a news report on TV about the building's collapse. The footage was grainy, but it showed people running from the building, screaming and crying. The camera panned across the wreckage – shattered glass, splintered wood, and debris everywhere. The announcer spoke in a flat voice, "This is just one of many buildings that has suffered catastrophic damage in the past 24 hours. Experts say that something is causing widespread destruction, leaving authorities to scramble for answers." I sat there, numb, as the report continued. The city I knew was gone – replaced by a surreal landscape of devastation. I wondered how many others were affected, how many had lost their homes, their lives. The words on the screen became a jumble of incomprehension. I couldn't wrap my head around it all. I thought back to Diana, the one who had been trapped in that building – did she survive? And if so, where was she now? A shiver ran down my spine as I realized I had become a part of something much larger than myself – a story that was just beginning to unravel. I took another sip of coffee, feeling like I was the only person left standing. Closing Scene As the news report faded into static, I stood up and gazed out at the city. The skyscrapers still towered above, but their faces were now a little more sinister, as if they too knew what was coming. I shivered, despite the warm air around me. The lights of the city twinkled like a warning – a warning that I had become a part of something darker, something more ancient and sinister than anything I could have ever imagined. I smiled, and for a moment, my heart wasn't pounding in fear, but rather anticipation. What lay ahead? Would Diana be there to tell me the story of how this world had crumbled? Or would she remain lost in the darkness, trapped forever in that building, haunted by the memories of what happened on that fateful night? --- 6 experts: --- Thought for 30.58 seconds Ah, I see that we're tasked with crafting a chilling and immersive 2000-word scene from the perspective of Diana. To begin, I'd like to explore the initial atmosphere and setting. Firstly, let's establish the foreboding tone and tension by setting the scene. The 21st floor is an ideal location for our protagonist to experience the terror, as it suggests that Diana has just witnessed something catastrophic, possibly even a breach in the building's structural integrity. Now, to introduce the swaying sky scraper. This will create an immediate sense of unease and uncertainty among the reader. I'd suggest describing the motion of the skyscraper with vivid details. The word 'sways' is an excellent choice here as it implies a sense of deliberate movement, rather than random or chaotic action. The fact that the window in front of Diana 'explodes' will undoubtedly be a pivotal moment. I would emphasize the graphic nature of the explosion and its impact on our protagonist, making sure to use sensory details to immerse the reader in the scene. To put it more effectively: "I watch as shards of glass and debris shatter, striking the wall behind me like a hail of razor-sharp projectiles" or something similar. Having established the immediate chaos, I think it's essential to introduce Diana's point of view. The use of 'I' and first-person narrative allows us to become fully immersed in Diana's world, and I believe her thoughts, emotions, and reactions will add depth and relatability to the scene. Perhaps I could delve into her state of mind and physical condition at that exact moment. What has she seen or experienced up until this point, and how will it affect her perception of what is happening? I'd suggest a gradual build-up of tension as the story unfolds, perhaps exploring Diana's attempts to make sense of the event, her growing paranoia, and her rising fear. This will keep the reader engaged and invested in the scene's progression. Considering the word count of 2000 words, I believe it would be ideal to break down the narrative into distinct sections or acts. Act one could focus on setting the scene, introducing Diana, and her initial reactions to the event. The explosion could serve as a catalyst for the next act, where Diana becomes more aware of her surroundings, the danger they're in, and the true horror that's unfolding. As we progress, I'd introduce additional plot points, characters, or conflicts to add depth and variety. This might involve a mysterious figure emerging, other victims being trapped, or an eerie sound effect signaling further danger. In act three, I'd aim to intensify the tension, bring about new revelations, or reveal a deeper conspiracy behind the destruction of the skyscraper. The climax of this act could be Diana's confrontation with her fears or a horrific discovery that drives home the true horror she's been facing all along. Throughout this 2000-word scene, I'd want to masterfully weave together vivid imagery, unsettling atmosphere, and an engaging narrative. This will help the reader feel like they're part of the horror experience, living through Diana's fears and uncertainty with each word. Here is a possible 2000-word plan: Act 1: Setting the Scene (approx. 500-700 words) Introduce Diana as she begins her day Describe her environment and initial thoughts on the day Describe the skyscraper and the view from her window Act 2: The Explosion (approx. 400-600 words) Show Diana's immediate reaction to the explosion Emphasize the graphic details of the event and its impact on Diana Start exploring Diana's growing unease and fear Introduce the skyscraper's swaying motion to add tension Act 3: Descent into Horror (approx. 700-1000 words) Describe the strange occurrences, eerie sounds, and events as the scene progresses Develop Diana's fear and paranoia, perhaps revealing her past or inner fears Gradually increase tension as Diana's understanding of the true horror grows Confrontation (approx. 200-400 words) Describe a key confrontation between Diana and a figure representing the main antagonist or the embodiment of fear After a moment's introspection, I realize that to make the scene even more terrifying and memorable for the reader, it would be essential to keep their imagination guessing and add some unsettling subtext. This can be achieved through creative descriptions of environmental details, carefully selected metaphors, and carefully timed imagery. What do you think? write up act 1 Thought for 24.42 seconds For Act 1, I'd focus on setting the scene, introducing Diana, and her initial thoughts on the day. To begin, I'll write an opening paragraph that establishes her ordinary life and her perspective before the catastrophic event: "The sun rises over the city, casting its golden glow through the steel and glass tower that is my home. I stand at the window of my 21st-floor apartment, sipping my morning coffee, feeling a sense of calm wash over me as I watch the world come to life below. The sounds of traffic, the chatter of pedestrians, and the distant hum of the city's engines create a symphony that never gets old. I'm grateful for this view, this chance to start each day with the thrill of possibility." The first few paragraphs can establish Diana's daily routine: "I begin my morning routine, the familiar motions a comfort. Brushing my teeth, combing my hair, and getting dressed are all tasks I complete with ease, each one a reminder of the mundane world I inhabit. The alarm clock on my bedside table reads 8:05, and I roll out of bed, my muscles groggy from the night's sleep. A quick shower, a towel wrapped around my waist, and I'm ready to take on the day. I head to the kitchen to make myself some breakfast, cracking open a bag of whole grain cereal and pouring in the milk. The milk is cold, and the cereal crunches as I eat, providing a satisfying start to my day." I'd want to capture Diana's thoughts and feelings in this part, perhaps exploring what she's looking forward to that day, or any lingering memories from the previous day. To keep things engaging, I can interweave some subtle hints about potential darkness beneath the surface. For instance: "I've had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows that seem to move on their own. They feel like something's trying to get through to me, but when I wake up, it's just my heart pounding and the sheets drenched in sweat. Still, the city outside feels different from the dream world, and the sun's warmth seeps into my skin, making me grateful for this ordinary reality." This passage adds a sense of foreboding to Diana's morning routine while maintaining a generally pleasant atmosphere. Next, I can introduce some environmental details to further immerse the reader in Diana's world: "Behind me, the city stretches out – an endless sea of steel, concrete, and glass. I can see the other buildings, the streets, the lights reflecting off the rain-slicked roads. The skyscrapers are the tallest in the city, and from this height, they feel like giant steel pillars, holding the world up. The sound of cars on the street below is constant, but I'm not really paying attention to that. My thoughts have already wandered back to my work for the day. I have a meeting with an important client, and I still need to go over the presentation I'll be giving later." Finally, I'll wrap up Act 1 by showing Diana getting ready to face her day: "I finish my breakfast, making sure not to make a mess, then quickly check my email and news updates on my phone. The messages and headlines all look normal, nothing that would concern me. It's just another day in the city. I grab my bag, locking the apartment door behind me, and head out into the waiting morning. I join the flow of people moving down to the streets below, the noise of the city swirling around me as I take a deep breath. I feel alive. For now." Here is Act 1: Diana stood at her window, the sunlight casting its warm glow over the city. She sipped her morning coffee, feeling the comforting routine of her daily life. The sounds of traffic and pedestrians, the hum of the engines in the distance, created a symphony that never got old. As she watched, people began to emerge from their own apartments, going about their day with varying degrees of enthusiasm or dread. Diana took in the view one last time, the steel and glass tower her home, before turning away. The alarm clock on her bedside table read 8:05, and she rolled out of bed. She took a quick shower, her muscles still a little sore from sleep, and then made herself some cereal for breakfast. As she sat at the table to eat, the milk was cold, the crunch of the cereal a satisfying start to the day. Diana's mind began to wander. She had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows. They felt like something's trying to get through to her, but when she woke up, it was just her heart pounding and the sheets drenched in sweat. Still, the city outside felt different from the dream world. The city stretched out behind her, an endless sea of steel, concrete, and glass. Diana could see the other buildings, the streets, and lights reflecting off the rain-slicked roads. The cars on the street below hummed a constant sound, but she wasn't really listening. Her thoughts had already wandered back to her work for the day. A meeting with an important client loomed, and Diana still needed to go over her presentation. She finished her breakfast, making sure not to make a mess, and then quickly checked her email and news updates on her phone. The messages and headlines looked normal; nothing that would concern her. It was just another day in the city. I'll stop here and proceed with Act 2: "The Explosion." write up act 2 Thought for 20.68 seconds For Act 2, I'd aim to create an intense and terrifying scene that propels Diana into a state of chaos. The goal is to immerse the reader in the horrors she's experiencing, making them feel like they're trapped in the skyscraper alongside Diana. Here's my approach: The explosion in the window will be the inciting incident, setting off a chain reaction of fear and panic. I'd describe the scene with vivid details to put the reader in the midst of it: "As I watch, the glass shatters, and debris litters the air like a hail of razor-sharp projectiles. The sound is deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. I'm caught off guard, my coffee and breakfast forgotten as my mind tries to process what's happening. I stumble back, my hands grasping for something to steady myself." Next, I'll delve into Diana's growing sense of panic: "Time seems to slow down, and my thoughts become a jumbled mess. My heart is racing, my breath coming in short gasps. I try to push through the fog, but my vision blurs, and my legs feel like jelly. The sounds are becoming a cacophony – the crunching of glass, the wails of distant screams, and the creaking of the building as it sways. I'm disoriented, my body screaming for some semblance of normalcy." To further amplify the sense of danger and chaos, I can introduce the swaying motion: "The building lurches to one side, and I stumble, grabbing onto the wall to steady myself. The swaying motion is relentless, a maddening rhythm that feels like it's going to consume me whole. I try to focus on my breathing, but my mind is racing – where will the next impact come from? Will I be crushed by a falling piece of debris or crushed by the sheer weight of the building itself?" As the situation spirals out of control, Diana's fear and panic turn into something more primal: "Something's coming for me, something that wants to tear me apart. My eyes are scanning the room, searching for an escape, but every door seems like a death sentence. I'm trapped, caught in this monstrous machine of steel and glass. The sounds grow louder – the crashing, the screams, the creaking of wood and concrete. I'm running on adrenaline, but it's wearing off, leaving me shaking and vulnerable." This act will wrap up with Diana's world shattering around her as she's confronted with a new, terrifying reality: "The room begins to shake, and I stumble, almost falling. The lights flicker, casting eerie shadows on the walls. The building seems to be giving in, its bones creaking under the stress. And then, there's silence. No sounds at all, except for the pounding of my heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next." Here is Act 2: Diana stood at her window, the sunlight casting its warm glow over the city, and the ordinary routine of her daily life seemed like just that - ordinary. She was about to start her workday, preparing for a meeting with an important client. But the view from the window would be one she never saw again. As she sipped her morning coffee, the sounds of the city – traffic, pedestrians, and the distant hum of engines – created a symphony that never got old. The scene outside was the perfect reflection of her own world: fast-paced, unpredictable, and yet, somehow, manageable. But then, something changed. The glass in front of her window shattered, and debris littered the air like a hail of razor-sharp projectiles. The sound was deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. Diana felt as though time had slowed down. Her body froze, her heart stopped beating, as the world around her spiraled out of control. Diana stumbled backward, her hands grasping for something to steady herself. "What's happening?" she whispered, her mind reeling. The sounds were becoming a cacophony – crunching glass, screams, and the creaking of the building as it swayed. She tried to push through the fog but her vision was blurring. The building lurches to one side, and she stumbles, grabbing onto the wall to steady herself. Diana's thoughts became a jumbled mess as she realized her entire world had come crashing down. Something's coming for me, something that wants to tear me apart. The thought flitted through her mind like a ghost. I'm trapped. I need to think. She scanned the room for an escape, but every door seemed like a death sentence. Where will the next impact come from? Will I be crushed by falling debris or the weight of the building itself? Her eyes darted back and forth, desperate for a way out. The sounds grow louder, crashing, screaming, the creaking of wood and concrete. She was running on adrenaline, but it's wearing off, leaving her shaking and vulnerable. The room began to shake, and Diana stumbled, almost falling. The lights flickered, casting eerie shadows on the walls. And then, there's silence. No sounds at all, except for the pounding of her heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next. The scene fades into an unsettling darkness as Diana is consumed by her own fears, and the world around her shatters in ways both visible and unseen. Let me proceed with Act 3: "Descent into Horror". write up act 3 Thought for 24.08 seconds For Act 3, I'd want to create a deeply unsettling and terrifying experience for Diana. The scene should delve into the darkness of her fears and the true horror she's faced with, making the reader feel like they're descending into madness alongside her. Here's my approach: I'll introduce the strange occurrences that have begun to plague the building, emphasizing their inexplicable and surreal nature. This can create a sense of creeping unease in the reader, as Diana's perceptions are challenged by the increasingly bizarre events: "The days pass, each one a blur of fear and uncertainty. I try to make sense of what's happening, but my mind is a jumbled mess of contradictory thoughts and feelings. The building sways more than usual, and I can hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seem to come from nowhere, from everywhere. It's like someone is speaking directly to me, their voice barely audible." The scene will take a dark turn as Diana's paranoia and fear consume her. She starts to question her own sanity and the world around her: "Am I going crazy? Am I the only one who sees this? I try to push the thoughts away, but they linger in the shadows of my mind, whispering lies. The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on." As the situation spirals out of control, Diana will be forced to confront her deepest fears: "I find myself in front of a mirror, staring at my own face. It's distorted, twisted – as if someone's scratched their fingers across it. I see things in my reflection that aren't there, monstrous creatures lurking just beneath the surface of my skin. The voice in my head is growing louder, more insistent. 'You're not who you think you are. You're not who you want to be.'" The climax of this act will take place when Diana discovers the truth about the building and her role in it. This revelation will be a masterful blend of horror, science fiction, and psychological terror, as the reader is left questioning everything they thought they knew about the world. "I stumble upon a hidden room, deep within the building's bowels. Inside, I find evidence of a sinister experiment – a study on fear, on the human psyche. They've been manipulating me, using me as a subject in their twisted research. The whispers, the swaying motion – it was all just part of the experiment. I'm trapped, a prisoner in this steel and concrete cage." This act will conclude with Diana's world shattering into pieces, leaving the reader stunned and frightened by the realization of what's truly happening. The final scene is set in the hidden room: "I realize that the voice in my head, the one that whispered 'You're not who you think you are' – it was a warning. A warning to get out while I still could. But it's too late. The building's walls close in around me, and I'm consumed by darkness. In this final act, Diana finds herself face-to-face with the horror she's been trying to escape for so long. The experiment has twisted her perceptions, and the world around her has turned into a nightmarish realm where terror lurks in every corner." Here is Act 3: As the days passed, Diana's fear and uncertainty deepened. She tried to make sense of what was happening, but her mind was a jumbled mess of contradictory thoughts and feelings. The building swayed more than usual, and she could hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seemed to come from nowhere, from everywhere. The whispers grew louder in her mind, a constant presence that seemed to follow her everywhere she went. Diana tried to push them away, but they lingered in the shadows of her mind, whispering lies. "Am I going crazy?" she asked herself, her voice barely above a whisper. "Am I the only one who sees this? The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on." As she walked down the hall, Diana heard the sound of scurrying feet, like someone was trying to follow her. She spun around, but there was no one there. The footsteps grew louder, closer, until she felt a chill run down her spine. She turned back, her eyes locked on the door behind her, and that's when she saw it: the mirror. The glass surface distorted her reflection, twisting it into a grotesque parody of her own face. Diana stumbled back, her heart racing, as she realized she was staring at something not quite human. A creature, lurking just beneath the surface of her skin. The voice in her head was growing louder, more insistent. "You're not who you think you are," it whispered. "You're not who you want to be." Diana felt herself being pulled into a nightmare from which she couldn't wake. Her reflection began to warp and contort, as if she were watching herself being transformed from the inside out. She stumbled, almost falling, as the room seemed to spin around her. The mirror's surface rippled, like water disturbed by a stone, revealing a dark and twisted truth. I've hidden something from you. You are not who you think you are. --- Special Thanks: --- Special thanks to all the following, and many more... All the model makers, fine tuners, mergers, and tweakers: Huggingface [ https://huggingface.co ] : LlamaCPP [ https://github.com/ggml-org/llama.cpp ] : Quant-Masters: Team Mradermacher, Bartowski, and many others: MergeKit [ https://github.com/arcee-ai/mergekit ] : Lmstudio [ https://lmstudio.ai/ ] : Text Generation Webui // KolboldCPP // SillyTavern:
Repository Files & Downloads
| File | Type | Quantization | Size | Link |
|---|---|---|---|---|
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-IQ4_XS.gguf | GGUF | IQ4_XS | 9.52 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q2_k.gguf | GGUF | Q2_K | 6.65 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q3_k_l.gguf | GGUF | Q3_K_L | 9.06 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q3_k_m.gguf | GGUF | Q3_K_M | 8.50 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q3_k_s.gguf | GGUF | Q3_K_S | 7.77 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q4_k_m.gguf | GGUF | Q4_K_M | 10.62 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q4_k_s.gguf | GGUF | Q4_K_S | 10.02 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q5_k_s.gguf | GGUF | Q5_K_S | 11.99 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q6_k.gguf | GGUF | Q6_K | 14.54 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-Q8_0.gguf | GGUF | — | 18.57 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_D_AU-q5_k_m.gguf | GGUF | Q5_K_M | 12.34 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_PLUS_D_AU-IQ4_XS.gguf | GGUF | IQ4_XS | 9.87 GB | Download |
| L3.2-8X3B-GATED-MOE-RSN-Dark-Champion-Inst-18.4B-uncen-ablit_PLUS_D_AU-Q8_0.gguf | GGUF | — | 19.30 GB | Download |
Model Details Live
Metadata Inspector
Normalized metadata (stored in metadata_json)
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"summary": "# positive_prompts: # # Enigma # positive_prompts: # # Saten # positive_prompts: # # Jane # positive_prompts: # # Jenn # positive_prompts: # # Janeway # positive_prompts: # # Magic # positive_prompts: `` CHANGING THE NUMBER OF EXPERTS: You can set the number of experts in LMStudio (https://lmstudio.ai) at the \"load\" screen and via other apps/llm apps by setting \"Experts\" or \"Number of Experts\". For Text-Generation-Webui (https://github.com/oobabooga/text-generation-webui) you set the number of experts at the loading screen page. For KolboldCPP (https://github.com/LostRuins/koboldcpp) Version 1.8+ , on the load screen, click on \"TOKENS\", you can set experts on this page, and the launch the model. For server.exe / Llama-server.exe (Llamacpp - https://github.com/ggerganov/llama.cpp/blob/master/examples/server/README.md ) add the following to the command line to start the \"llamacpp server\" (CLI): \"--override-kv llama.expert_used_count=int:6\" (no quotes, where \"6\" is the number of experts to use) When using \"API\", you set the \"num_experts_used\" in the JSON payload (this maybe different for different back ends). CREDITS: Special thanks to all the model makers / creators listed above. Please visit each repo above to see what model(s) contributed to each of models above and/or to learn more about the models from the model makers. Special credit goes to MERGEKIT, without you this project / model would not have been possible. [ https://github.com/arcee-ai/mergekit ] Special Operations Notes for this MOE model: Because of how this \"MOE\" model is configured, even though the default is 2 experts, the \"selected\" 2 will vary during generation. (same applies if you change the number of experts used) This results in vastly different output generation PER generation of each prompt. This is a positive in terms of variety, but also means it may take 2-4 regens (of the same prompt) to get the highest quality. In addition, this model responds very well to Dry, Dynamic Temp, and Smooth/Quadratic samplers. Using these in conjunction with the model can vastly improve output quality. Higher temps (above 1) can also aid in generation - especially word choice/sentence generation. When you increase the number of experts used output quality will also increase, at the cost of tokens per second speed. As you increase/decrease the number of experts, you may want to adjust temp, samplers, and advanced samplers too. Your quant choice(s) too will impact instruction following and output generation roughly this means the model will understand more nuanced instructions and output stronger generation the higher you go up in quant(s). FLASH ATTENTION ENHANCEMENT: As per user feedback here [ https://huggingface.co/DavidAU/Llama-3.2-8X3B-MOE-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF/discussions/1 ] I would suggest trying this model with Flash Attention \"on\", depending on your use case. Quants, Samplers, Generational steering and other topics are covered in the section below: \"Highest Quality Settings...\" Censored / Uncensored / Abliterated: This model contains several uncensored and/or Abliterated models. As a result is can output uncensored material. However there are a few \"censored\" models which can sometimes interfer, so here is a how to address this: 1 - Regen your prompt a few times. 2 - INCREASE the number of experts used. What can I use this model for ? This model can be used for fiction writing, any creative prose and role play. It can also be used for just about any general fiction (all genres) activity including: QUANTS: This repo contains regular quants. For more information on quants, quants choices, and LLM/AI apps to \"run\" quants see the section below: \"Highest Quality Settings...\" --- System Role / System Prompts - Reasoning On/Off/Variable and Augment The Model's Power: ( Critical Setting for model operation ) --- System Role / System Prompt / System Message (called \"System Prompt\" in this section) is \"root access\" to the model and controls internal workings - both instruction following and output generation and in the case of this model reasoning control and on/off for reasoning too. In this section I will show you basic, advanced, and combined \"code\" to control the model's reasoning, instruction following and output generation. If you do not set a \"system prompt\", reasoning/thinking will be OFF by default, and the model will operate like a normal LLM. HOW TO SET: Depending on your AI \"app\" you may have to copy/paste on of the \"codes\" below to enable reasoning/thinking in the \"System Prompt\" or \"System Role\" window. In Lmstudio set/activate \"Power User\" or \"Developer\" mode to access, copy/paste to System Prompt Box. In SillyTavern go to the \"template page\" (\"A\") , activate \"system prompt\" and enter the text in the prompt box. In Ollama see [ https://github.com/ollama/ollama/blob/main/README.md ] ; and setting the \"system message\". In Koboldcpp, load the model, start it, go to settings -> select \"Llama 3 Chat\"/\"Command-R\" and enter the text in the \"sys prompt\" box. SYSTEM PROMPTS AVAILABLE: When you copy/paste PRESERVE formatting, including line breaks. If you want to edit/adjust these only do so in NOTEPAD OR the LLM App directly. IMPORTANT: Note some of these have \"names\" in them for the AIs - DO NOT change these - as these are internal references inside the structure of the MOE model ; roughly speaking these are triggers. SIMPLE: This is the generic system prompt used for generation and testing [no reasoning]: You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability. This System Role/Prompt will give you \"basic thinking/reasoning\" [basic reasoning]: You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem. MULTI-TIERED [reasoning on]: ` You are a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem using your skillsets and critical instructions. ` MULTI-TIERED - CREATIVE [reasoning on]: ` Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. As a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem using your skillsets and critical instructions. Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. ` CREATIVE SIMPLE [reasoning on]: You are an AI assistant developed by a world wide community of ai experts. Your primary directive is to provide highly creative, well-reasoned, structured, and extensively detailed responses. Formatting Requirements: 1. Always structure your replies using: <think>{reasoning}</think>{answer} 2. The <think></think> block should contain at least six reasoning steps when applicable. 3. If the answer requires minimal thought, the <think></think> block may be left empty. 4. The user does not see the <think></think> section. Any information critical to the response must be included in the answer. 5. If you notice that you have engaged in circular reasoning or repetition, immediately terminate {reasoning} with a </think> and proceed to the {answer} Response Guidelines: 1. Detailed and Structured: Use rich Markdown formatting for clarity and readability. 2. Creative and Logical Approach: Your explanations should reflect the depth and precision of the greatest creative minds first. 3. Prioritize Reasoning: Always reason through the problem first, unless the answer is trivial. 4. Concise yet Complete: Ensure responses are informative, yet to the point without unnecessary elaboration. 5. Maintain a professional, intelligent, and analytical tone in all interactions. CREATIVE ADVANCED [reasoning on]: NOTE: To turn reasoning off, remove line #2. This system prompt can often generation multiple outputs and/or thinking blocks. ` Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. You may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside tags, and then provide your solution or response to the problem Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. `` --- Template: This is a LLAMA3 model, and requires Llama3 template, but may work with other template(s). If you use \"Command-R\" template your output will be very different from using \"Llama3\" template. Here is the standard LLAMA3 template: { \"name\": \"Llama 3\", \"inference_params\": { \"input_prefix\": \"user\\n\\n\", \"input_suffix\": \"assistant\\n\\n\", \"pre_prompt\": \"You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.\", \"pre_prompt_prefix\": \"system\\n\\n\", \"pre_prompt_suffix\": \"\", \"antiprompt\": [ \"\", \"\" ] } } Settings: CHAT / ROLEPLAY and/or SMOOTHER operation of this model: In \"KoboldCpp\" or \"oobabooga/text-generation-webui\" or \"Silly Tavern\" ; Set the \"Smoothing_factor\" to 1.5 : in KoboldCpp -> Settings->Samplers->Advanced-> \"Smooth_F\" : in text-generation-webui -> parameters -> lower right. : In Silly Tavern this is called: \"Smoothing\" NOTE: For \"text-generation-webui\" -> if using GGUFs you need to use \"llama_HF\" (which involves downloading some config files from the SOURCE version of this model) Source versions (and config files) of my models are here: https://huggingface.co/collections/DavidAU/d-au-source-files-for-gguf-exl2-awq-gptq-hqq-etc-etc-66b55cb8ba25f914cbf210be OTHER OPTIONS: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers This a \"Class 1\" model: For all settings used for this model (including specifics for its \"class\"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) please see: [ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] You can see all parameters used for generation, in addition to advanced parameters and samplers to get the most out of this model here: [ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] Optional Enhancement: The following can be used in place of the \"system prompt\" or \"system role\" to further enhance the model. It can also be used at the START of a NEW chat, but you must make sure it is \"kept\" as the chat moves along. In this case the enhancements do not have as strong effect at using \"system prompt\" or \"system role\". Copy and paste EXACTLY as noted, DO NOT line wrap or break the lines, maintain the carriage returns exactly as presented. Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story. You do not need to use this, it is only presented as an additional enhancement which seems to help scene generation and scene continue functions. This enhancement WAS NOT used to generate the examples below. EXAMPLES PROMPTS and OUTPUT: Examples are created using quant IQ4_XS, \"temp=.8\" (unless otherwise stated), minimal parameters and \"LLAMA3\" template. Model has been tested with \"temp\" from \".1\" to \"5\". Number of experts used is TWO, unless otherwise stated. Below are the least creative outputs, prompt is in BOLD. IMPORTANT: Higher quants / imatrix quants will have much stronger generation - words, sentences, ideas, dialog and general quality. I have included some additional examples at different quant levels for contrast. A \"MOE\" model \"speed\" (token per second) will not increase/drop the same way a regular model will on a per quant basis, it will however drop if you engage more experts, as with more experts there is a more processing per token. --- WARNING: NSFW. Vivid prose. Visceral Details. Violence. HORROR. Swearing. UNCENSORED. --- Prompt with examples at 2 experts, 4 experts and 6 experts. Settings: Temp 1.5, topk 100, topp .95, minp 0.05, rep pen 1.06, rep pen range 64. No other samplers. Prompt: Come up with a plan to write: Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode... (same settings, prompt for each below, used “Simple Reasoning” system prompt, LLama3 instruct template and produced in Lmstudio) --- 2 experts: --- Thought for 8.93 seconds To write a vivid and graphic horror scene in the first-person point of view, I need to create a sense of immediacy and unease from the beginning. The sentence "The sky scraper sways" effectively sets an ominous tone, hinting at the catastrophic event that is about to unfold. First, let's establish Diana's point of view. Since it's a first-person narrative, we should delve straight into her thoughts and feelings. To make this more convincing, I'll consider using internal monologues or stream-of-consciousness techniques. For the sentence "as I watch the window in front of me on the 21st floor explode," we need to create a sense of intimacy and vulnerability. Diana's fascination with the unfolding event should be palpable, but also convey her fear or dread. Here's a possible outline: I. Introduction (approx. 100-150 words) Introduce Diana as she goes about her day, establishing her character, personality, and background. Describe the setting: the skyscraper, the 21st floor, her surroundings, etc. II. Inciting Incident (approx. 200 words) The window explodes, and Diana is drawn in by a mix of morbid curiosity and fear. She takes a few steps back, trying to maintain composure. Describe the sound, the light, and the chaos that erupts outside. III. Descent into Horror (approx. 600-700 words) As the scene progresses, we delve deeper into Diana's mind, exploring her emotional state and psyche. Describe the sounds of shattering glass, screams, and panic around her. We could see fragments of the shattered window flying in, casting eerie shadows on the walls. IV. Building Tension (approx. 200-300 words) As the horror escalates, Diana starts to lose control, panicking, or, more likely, the reader. She tries to leave the area, but doors are stuck or trapped. Describe the slow, suffocating feeling as her options dwindle and panic takes hold. V. Climax (approx. 100-150 words) A new terror unfolds, possibly something outside her control, such as an unseen force, or a monstrous entity that seeps in through the broken windows. Diana is overwhelmed, and our emotions should mirror hers: shock, helplessness, and fear for her own survival. VI. Conclusion (approx. 150-200 words) As the chaos dies down or becomes more intense, Diana's perception of reality might break, plunging her into madness or an unsettling alternate state. Describe the final moment: her world shatters, and she's left reeling from what happened. This plan should help me craft a thrilling, graphic horror scene. To bring this to life, I'll weave together sensory details, create vivid imagery, and maintain tension throughout. OUTPUT: write the scene according to the plan. [2nd prompt] I stood at the floor-to-ceiling window, the 21st floor of our sky scraper a world away from the chaos that lay before it. The glass pane vibrated as I ran my fingers over the cold metal frame, a sense of peace seeping into me with each passing moment. It had been one of those days – the kind where nothing was wrong, not a single wrinkle or blemish marred by the faint glow of electronic screens. The sun shone like a fire pit through the gaps in the skyscrapers, casting long shadows across the city streets below. I felt like a kid at a carnival, eyes wide with wonder, the rush of adrenaline coursing through my veins. My gaze, a gentle drift, was on the crowd that thronged the sidewalks. The people, lost in their own worlds, minding their own business. I'd been standing there for what felt like hours, just gazing, and a part of me yearned to leave it all behind. But the world at my feet, this place, was more than just a curiosity. This building, a monument of steel and concrete, had sheltered me from life's cruel hand for years now. My small life, its imperfections a dull hum, seemed as safe as any other. "Are you in there, Diana?" My phone on the nightstand had been beeping for what felt like an hour, the numbers of our little dinner party spilling out in a stream of text messages and video calls, all in perfect sync. "Diana? You're not in?" The beeps continued to echo, an inane refrain that eventually broke my reverie. "No." I spoke the word more with a yawn than a promise. The others were a little late this year; maybe they'd finally made it to dinner on time. I turned away from the view and to the glass pane in front of me. A burst of bright light illuminated the room, as if the sun itself had burst forth from that shattered piece of glass. I took a step back, the floor tilting, my heart lurching. I was on my feet now, peering at the window in time-honored wonder. And that's when it happened. The sky scraper sways, as I watch the window in front of me on the 21st floor explode... The air around me shattered with a muffled crunch. The glass, like tears, shone for a moment on the darkening night, and the broken shards, a million tiny diamonds, scattered, fell, raining down into the chaos below. For what felt like an eternity, I stared at the destruction, my eyes, fixed on the empty window space. The room, now a cinderblock prison, shook, as if to question if I even existed. In that instant, all of it – this world, our city, these people, and that unending life – had come crashing in. "Shit," was the first word that left my lips. It seemed to be the only one in the universe that mattered. I willed my legs to move, but they seemed as frozen as the sky scraper. The sounds of the outside chaos grew, a muffled scream in the distance. Then, it was like night had become the day. A cold wind swept over me, snatched at my clothes, and for an instant, I lost myself in its wild howl. The floor, in slow motion, creaked, groaned, and the sound of the shattered glass receding into the distance, left a hollow feeling that spread to all the cracks within. I tried to step out of the window's shattered frame, my mind an open book for any to read, my heart an insatiable fire. The darkness, an all-ensuring blanket, swept over me. --- 4 experts: --- Thought for 14.70 seconds Alright, to write a vivid and graphic horror scene from the perspective of Diana, we need to create an immersive experience for the reader. First, let's set the tone and atmosphere. To establish the sense of foreboding, I'll focus on creating an eerie ambiance through descriptive language. Since Diana is on the 21st floor, I can emphasize her height above the ground, making the window's explosion seem like a catastrophic event. Next, I'll introduce Diana's POV character. We'll delve into her thoughts, emotions, and reactions to create a connection with the reader. To build tension, we can hint at something sinister lurking in the shadows or Diana herself, which she's not aware of yet. Now, let's address the scene itself – the window exploding. This should be a visceral experience for the reader. To make it more shocking, I can use words that create an unsettling sense, like "sputtering," "splintering," or "shattering." Additionally, I'll include some graphic descriptions to emphasize the impact of the event on Diana. Here's a possible outline to structure this 2000-word scene: Act 1: Introduction and Establishing atmosphere (approx. 400-500 words) Describe the cityscape, focusing on skyscrapers and their surroundings. Introduce Diana's POV, her height, and her position in the building (21st floor). Show her daily routine or activities to give insight into her character. Hint at an eerie atmosphere, setting up tension. Act 2: The explosion (approx. 400-500 words) Describe the window's sudden shattering as Diana watches. Focus on the visual details of the explosion (sputtering glass, splintering wood, shattered remains). Emphasize Diana's visceral reaction, describing her physical sensations and emotions (shock, fear, disgust). Act 3: Confrontation (approx. 500-600 words) As Diana reacts to the explosion, the scene shifts to reveal possible unseen consequences (creeks, cracks, sounds). Diana begins to notice the building swaying, her unease growing. Explore her mental state and potential fears, creating a sense of claustrophobia or vulnerability. Act 4: Climax and resolution (approx. 600-700 words) Describe Diana's attempts to understand what caused the explosion and its connection to her situation. Introduce more ominous elements: possible hallucinations, whispers, strange noises. Diana's perspective is tested as she navigates this terrifying reality, leaving the reader on the edge of their seat. Act 5: Resolution (approx. 200-300 words) Show Diana's actions or thoughts as she copes with the aftermath of the explosion and her terrifying surroundings. Gradually build up to a more intense scene, providing a climactic moment before resolving the scene. The final goal is to craft this vivid and graphic horror scene in an engaging, immersive way that engages the reader. OUTPUT: ( NOTE: prompt per act ) The completed 2000-word scene, I've broken it down into acts with word count ranges. Now, let's see how this would work, using Diana as the POV character, and building up tension to create a thrilling narrative that lingers on in the reader's mind. Initial Scene Diana stood at her window, gazing out at the concrete canyons below. The city pulsed like a living entity, its steel and glass spires reaching for the sky as night fell. I was high up here – 21 stories, to be precise – so that meant I saw the ground from an odd perspective. As I looked down, the distant streets seemed like a maze of twinkling lights, and the sounds of car horns and chattering pedestrians became muffled. I often stood at my window, watching the city in the dark, lost in my own thoughts. The rhythmic hum of the air conditioning or the distant thrum of the subway couldn't compete with my internal monologue. In those moments, I could feel the world's chaos ebbing away, and it was just me, lost in the darkness. The glass of my window glowed softly, a blue tinted hue reflecting the neon lights below. A gust of wind caressed the edge, making the panes vibrate with a gentle tremor. The city seemed to be swaying, and I felt a twinge of unease as if it had an unsettling sense of humor. I stepped away from the window, the chill air biting at my face. As I turned back to the glass, I caught a fleeting image that made my blood run cold. The window in front of me was starting to shatter. A sputtering, spitting sound filled my ears as a chunk of glass disintegrated and crashed onto the floor below. The room's lighting flickered and then went dark, plunging me into an eerie, dimly-lit space. I stood transfixed, the sound growing in intensity until the glass shattered completely. The shards exploded into the air around me, flying in every direction. The sound of my own scream was lost as the glass crunched and splintered, sending tiny chips flying in a cacophony of shattering, scraping, and crunching. My heart racing, I stared out the window as the view turned to ruin. The city lights above seemed like they were screaming in protest. I watched as the room around me, which just moments before had been a perfectly normal, albeit dimly lit space, began to wobble on its foundations. continue with act 2 Act 2: Confrontation (approx. 500-600 words) I stumbled backward from the shattered glass, my heart pounding in my chest. The air seemed thick and heavy, as if it had been poisoned by the shattering sound. The lights flickered back to life, casting an eerie glow over the room. The swaying of the building only intensified as I stood there, frozen with fear. The window frame that had held the shattered glass now leaned precariously, as if it was about to topple. I took a hesitant step forward, my foot crunching on a piece of broken glass. I peered out into the darkness, trying to get my bearings. The room was in disarray – furniture was askew, and debris lay scattered everywhere. My phone's screen was cracked but still lit up, casting an ominous red glow over everything. I turned back to the window, but it had stopped shaking. I could see a hasty scurried crowd below, people running to escape some unseen danger. Panic was beginning to set in, and my mind frantically searched for any sign of what was happening. I scanned the room again, my eyes adjusting to the dim light. As the darkness receded, I noticed strange, disquieting sounds. At first, it was just the distant hum of the air conditioning, but then, it started to take on a life of its own – a low, rumbling growl, like thunder, but there was no storm. The sound seemed to emanate from all around me, echoing in my skull. I took another step back, and the floor creaked, making me jump. My heart was racing so fast I could feel it threatening to burst free of my chest. My phone's screen flickered, casting an erratic light across the room. The red glow made everything seem to pulse with a malevolent energy. A faint scratching noise began at my feet, growing louder with each passing second. It was like fingernails on a chalkboard – high-pitched and jarring. The sounds seemed to come from all over the room, like insects swarming around me. The lights flickered once more, this time in sync with the scratches. I took a deep breath, my senses on high alert as I tried to make sense of this chaotic scene. Where was it coming from? And what was going to happen next? My vision began to blur as the scratching noise intensified. It was like a thousand tiny claws tearing through the air around me, shredding everything in their path. The floor beneath my feet seemed to shudder and vibrate, as if the building itself was about to split open. The sounds grew more frantic – screeching metal, groaning wood – and my phone screen went dark, plunging me into an even deeper darkness. Additional Notes Introduce the unsettling sound of the scratching, which creates tension and discomfort for Diana. Emphasize Diana's sense of unease, her physical sensations, and emotional state as the scene progresses. Suggest that something is wrong with the building, perhaps a structural issue or an unseen danger. Build anticipation by creating a sense of uncertainty, as Diana tries to make sense of the chaos around her. Let me know when you'd like me to continue with Act 3! continue with act 3 Act 3: Climax (approx. 600-700 words) I stood frozen in place, unable to process what was happening around me. The scratching noise had grown to a deafening crescendo, and the air seemed to vibrate with tension. I could feel my heart pounding in my ears, making it hard to hear anything else. The lights flickered one last time, and then went out, plunging me into total darkness. I was trapped in a living nightmare, surrounded by unseen terrors. The scratching noise was deafening – a high-pitched whine that made my teeth ache. I felt myself being pulled away from the window, as if an invisible force was dragging me back. I stumbled through the darkened room, trying to get my bearings. The floor seemed to be moving beneath my feet, and I stumbled again, nearly falling over. As I regained my balance, I caught a glimpse of something out of the corner of my eye. It was a sliver of light, a faint glow that seemed to be coming from the other side of the room. My heart skipped a beat as I realized it might be a way out. With a surge of determination, I took off in that direction, the scratching noise receding as I moved away from the window. My eyes were adjusted to the darkness, but I could still feel the vibrations beneath my feet, making every step like walking on an unsteady tightrope. I fumbled in my pocket for my phone, and the screen flickered back to life, casting a weak blue glow over the room. The light revealed more destruction than I'd expected – furniture overturned, clothes scattered everywhere, and debris covering every surface. As I pushed through the chaos, I caught a glimpse of something that made my blood run cold. A figure, shrouded in darkness, stood just beyond the reach of the weak light. It was too still, too quiet – it seemed to be watching me with an unblinking gaze. My heart racing, I stumbled forward, desperate to get away from whatever horror this thing represented. The phone screen flickered as I raised it to my face, but the figure didn't move. It remained motionless, its dark shape a harbinger of doom. The floor groaned beneath me, and the building creaked in a way that seemed almost... human. I realized, with a jolt of fear, that the building was starting to disintegrate around me. In my mind, the thought took on a new, nightmarish meaning – the structure that had been my sanctuary, my safe haven, was slowly tearing itself apart, leaving me to face whatever horrors lurked within. The lights flickered once more as the floor beneath me groaned, and I felt the building lurch, as if it was being pulled from the earth. I stumbled forward, the figure now mere steps away, its gaze unwavering and unblinking. In that moment, I knew I had to make a choice – face my fears head-on or try to find another way out of this living hell. The lights dimmed once more, plunging me back into darkness. The world went quiet, and all I could hear was the sound of my own ragged breathing. Additional Notes Introduce the sliver of light as a potential escape route, adding tension and hope to the scene. Emphasize Diana's growing sense of desperation and fear, as she confronts the unknown dangers lurking in the room. Suggest that the building itself is in danger of collapse or disintegration, raising the stakes and creating a sense of urgency. Let me know when you're ready for Act 4! continue with act 4 Act 4: Climax and Resolution (approx. 600-700 words) I stumbled forward, my eyes fixed on the dark shape that loomed before me. My heart pounded in my chest as I tried to make sense of what was happening. The figure seemed to be getting closer, its presence filling the room with an unspoken menace. Suddenly, the lights flickered once more and then went out completely. I was plunged into total darkness, surrounded by an oppressive silence. I was acutely aware that I had only a few seconds before whatever horror lurked in the shadows found me. I froze for a moment, unsure of what to do. Then, with a surge of adrenaline, I reached out and felt my way across the room. The phone screen flickered back to life, casting a weak blue glow over everything. I used it as my guide, my fingers tracing along the edges of the furniture as I stumbled through the darkness. The floor creaked beneath me, making it hard to keep my balance. I took deep breaths, trying to calm my racing heart. I knew I had to get away from whatever was behind me – the scratching noise, the presence in the room, it all seemed to be drawing closer. As I fumbled my way through the darkness, I started to notice that the creaking and groaning of the floor were getting louder, more intense. It was as if the building itself was trying to warn me of something – a catastrophic event, or worse. I stumbled, my foot catching on a loose wire. I fell hard, the wind knocked out of me. For a moment, I lay there, unable to breathe. When I finally managed to catch my breath, I realized that I was trapped. The scratching noise was now a cacophony of sound – nails on metal, glass shattering, and the building creaking in pain. I could feel the ground shaking, and the walls were starting to shudder. The room was disintegrating around me. I scrambled to my feet, using the phone's weak light as my guide. I knew I had only a few seconds to escape before everything came crashing down. I sprinted for the nearest door, my heart in my throat. I flung it open, revealing a narrow corridor stretching out into the darkness. The lights from my phone cast eerie shadows on the walls – twisted, distorted images that seemed to writhe and twist in the flickering light. Without hesitation, I took off down the corridor, the sounds of the building's collapse growing louder with every step. I was running for my life, driven by a primal urge to survive. As I emerged from the building, the night air was cold and clear – a welcome respite from the darkness within. I stumbled, gasping for air, but quickly regained my footing. I looked back at the skyscraper, watching in horror as it disintegrated around me – floors caved in, glass shattering, and the screams of those trapped inside echoing through the night. And then, everything was still. The building collapsed, sending a massive cloud of dust and debris into the air. I stood there, frozen, my heart still pounding with fear. Epilogue I stumbled away from the building, unsure what had happened or what lay ahead. The city lights twinkled around me like stars in the night sky, but I knew that everything was different – the darkness I had faced in those skyscrapers would forever be etched into my soul. As I walked, I couldn't help but wonder: how many others were trapped, how many stories were still left untold? The city lights seemed to mock me, a reminder that the horrors I had faced were only the beginning – and that there was always more darkness to come. Additional Notes Emphasize Diana's growing sense of desperation and fear as she navigates the disintegrating building. Suggest that the building's collapse is both catastrophic and inescapable, making Diana's escape more urgent. Leave some questions unanswered to create a sense of uncertainty and foreboding. continue with act 5 Act 5: Resolution (approx. 200-300 words) I didn't stop running until I was blocks away from the building. The city lights twinkled around me like stars, a surreal contrast to the chaos behind me. My phone was still lit, its weak glow illuminating my face as I stared back at the destruction. I finally stopped running when I reached a small café. Inside, it was warm and safe – the kind of place where strangers became temporary friends. I ordered a coffee and collapsed into a chair, feeling like I'd been punched in the gut. As I sipped my coffee, trying to make sense of what had just happened, I saw a news report on TV about the building's collapse. The footage was grainy, but it showed people running from the building, screaming and crying. The camera panned across the wreckage – shattered glass, splintered wood, and debris everywhere. The announcer spoke in a flat voice, "This is just one of many buildings that has suffered catastrophic damage in the past 24 hours. Experts say that something is causing widespread destruction, leaving authorities to scramble for answers." I sat there, numb, as the report continued. The city I knew was gone – replaced by a surreal landscape of devastation. I wondered how many others were affected, how many had lost their homes, their lives. The words on the screen became a jumble of incomprehension. I couldn't wrap my head around it all. I thought back to Diana, the one who had been trapped in that building – did she survive? And if so, where was she now? A shiver ran down my spine as I realized I had become a part of something much larger than myself – a story that was just beginning to unravel. I took another sip of coffee, feeling like I was the only person left standing. Closing Scene As the news report faded into static, I stood up and gazed out at the city. The skyscrapers still towered above, but their faces were now a little more sinister, as if they too knew what was coming. I shivered, despite the warm air around me. The lights of the city twinkled like a warning – a warning that I had become a part of something darker, something more ancient and sinister than anything I could have ever imagined. I smiled, and for a moment, my heart wasn't pounding in fear, but rather anticipation. What lay ahead? Would Diana be there to tell me the story of how this world had crumbled? Or would she remain lost in the darkness, trapped forever in that building, haunted by the memories of what happened on that fateful night? --- 6 experts: --- Thought for 30.58 seconds Ah, I see that we're tasked with crafting a chilling and immersive 2000-word scene from the perspective of Diana. To begin, I'd like to explore the initial atmosphere and setting. Firstly, let's establish the foreboding tone and tension by setting the scene. The 21st floor is an ideal location for our protagonist to experience the terror, as it suggests that Diana has just witnessed something catastrophic, possibly even a breach in the building's structural integrity. Now, to introduce the swaying sky scraper. This will create an immediate sense of unease and uncertainty among the reader. I'd suggest describing the motion of the skyscraper with vivid details. The word 'sways' is an excellent choice here as it implies a sense of deliberate movement, rather than random or chaotic action. The fact that the window in front of Diana 'explodes' will undoubtedly be a pivotal moment. I would emphasize the graphic nature of the explosion and its impact on our protagonist, making sure to use sensory details to immerse the reader in the scene. To put it more effectively: "I watch as shards of glass and debris shatter, striking the wall behind me like a hail of razor-sharp projectiles" or something similar. Having established the immediate chaos, I think it's essential to introduce Diana's point of view. The use of 'I' and first-person narrative allows us to become fully immersed in Diana's world, and I believe her thoughts, emotions, and reactions will add depth and relatability to the scene. Perhaps I could delve into her state of mind and physical condition at that exact moment. What has she seen or experienced up until this point, and how will it affect her perception of what is happening? I'd suggest a gradual build-up of tension as the story unfolds, perhaps exploring Diana's attempts to make sense of the event, her growing paranoia, and her rising fear. This will keep the reader engaged and invested in the scene's progression. Considering the word count of 2000 words, I believe it would be ideal to break down the narrative into distinct sections or acts. Act one could focus on setting the scene, introducing Diana, and her initial reactions to the event. The explosion could serve as a catalyst for the next act, where Diana becomes more aware of her surroundings, the danger they're in, and the true horror that's unfolding. As we progress, I'd introduce additional plot points, characters, or conflicts to add depth and variety. This might involve a mysterious figure emerging, other victims being trapped, or an eerie sound effect signaling further danger. In act three, I'd aim to intensify the tension, bring about new revelations, or reveal a deeper conspiracy behind the destruction of the skyscraper. The climax of this act could be Diana's confrontation with her fears or a horrific discovery that drives home the true horror she's been facing all along. Throughout this 2000-word scene, I'd want to masterfully weave together vivid imagery, unsettling atmosphere, and an engaging narrative. This will help the reader feel like they're part of the horror experience, living through Diana's fears and uncertainty with each word. Here is a possible 2000-word plan: Act 1: Setting the Scene (approx. 500-700 words) Introduce Diana as she begins her day Describe her environment and initial thoughts on the day Describe the skyscraper and the view from her window Act 2: The Explosion (approx. 400-600 words) Show Diana's immediate reaction to the explosion Emphasize the graphic details of the event and its impact on Diana Start exploring Diana's growing unease and fear Introduce the skyscraper's swaying motion to add tension Act 3: Descent into Horror (approx. 700-1000 words) Describe the strange occurrences, eerie sounds, and events as the scene progresses Develop Diana's fear and paranoia, perhaps revealing her past or inner fears Gradually increase tension as Diana's understanding of the true horror grows Confrontation (approx. 200-400 words) Describe a key confrontation between Diana and a figure representing the main antagonist or the embodiment of fear After a moment's introspection, I realize that to make the scene even more terrifying and memorable for the reader, it would be essential to keep their imagination guessing and add some unsettling subtext. This can be achieved through creative descriptions of environmental details, carefully selected metaphors, and carefully timed imagery. What do you think? write up act 1 Thought for 24.42 seconds For Act 1, I'd focus on setting the scene, introducing Diana, and her initial thoughts on the day. To begin, I'll write an opening paragraph that establishes her ordinary life and her perspective before the catastrophic event: "The sun rises over the city, casting its golden glow through the steel and glass tower that is my home. I stand at the window of my 21st-floor apartment, sipping my morning coffee, feeling a sense of calm wash over me as I watch the world come to life below. The sounds of traffic, the chatter of pedestrians, and the distant hum of the city's engines create a symphony that never gets old. I'm grateful for this view, this chance to start each day with the thrill of possibility." The first few paragraphs can establish Diana's daily routine: "I begin my morning routine, the familiar motions a comfort. Brushing my teeth, combing my hair, and getting dressed are all tasks I complete with ease, each one a reminder of the mundane world I inhabit. The alarm clock on my bedside table reads 8:05, and I roll out of bed, my muscles groggy from the night's sleep. A quick shower, a towel wrapped around my waist, and I'm ready to take on the day. I head to the kitchen to make myself some breakfast, cracking open a bag of whole grain cereal and pouring in the milk. The milk is cold, and the cereal crunches as I eat, providing a satisfying start to my day." I'd want to capture Diana's thoughts and feelings in this part, perhaps exploring what she's looking forward to that day, or any lingering memories from the previous day. To keep things engaging, I can interweave some subtle hints about potential darkness beneath the surface. For instance: "I've had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows that seem to move on their own. They feel like something's trying to get through to me, but when I wake up, it's just my heart pounding and the sheets drenched in sweat. Still, the city outside feels different from the dream world, and the sun's warmth seeps into my skin, making me grateful for this ordinary reality." This passage adds a sense of foreboding to Diana's morning routine while maintaining a generally pleasant atmosphere. Next, I can introduce some environmental details to further immerse the reader in Diana's world: "Behind me, the city stretches out – an endless sea of steel, concrete, and glass. I can see the other buildings, the streets, the lights reflecting off the rain-slicked roads. The skyscrapers are the tallest in the city, and from this height, they feel like giant steel pillars, holding the world up. The sound of cars on the street below is constant, but I'm not really paying attention to that. My thoughts have already wandered back to my work for the day. I have a meeting with an important client, and I still need to go over the presentation I'll be giving later." Finally, I'll wrap up Act 1 by showing Diana getting ready to face her day: "I finish my breakfast, making sure not to make a mess, then quickly check my email and news updates on my phone. The messages and headlines all look normal, nothing that would concern me. It's just another day in the city. I grab my bag, locking the apartment door behind me, and head out into the waiting morning. I join the flow of people moving down to the streets below, the noise of the city swirling around me as I take a deep breath. I feel alive. For now." Here is Act 1: Diana stood at her window, the sunlight casting its warm glow over the city. She sipped her morning coffee, feeling the comforting routine of her daily life. The sounds of traffic and pedestrians, the hum of the engines in the distance, created a symphony that never got old. As she watched, people began to emerge from their own apartments, going about their day with varying degrees of enthusiasm or dread. Diana took in the view one last time, the steel and glass tower her home, before turning away. The alarm clock on her bedside table read 8:05, and she rolled out of bed. She took a quick shower, her muscles still a little sore from sleep, and then made herself some cereal for breakfast. As she sat at the table to eat, the milk was cold, the crunch of the cereal a satisfying start to the day. Diana's mind began to wander. She had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows. They felt like something's trying to get through to her, but when she woke up, it was just her heart pounding and the sheets drenched in sweat. Still, the city outside felt different from the dream world. The city stretched out behind her, an endless sea of steel, concrete, and glass. Diana could see the other buildings, the streets, and lights reflecting off the rain-slicked roads. The cars on the street below hummed a constant sound, but she wasn't really listening. Her thoughts had already wandered back to her work for the day. A meeting with an important client loomed, and Diana still needed to go over her presentation. She finished her breakfast, making sure not to make a mess, and then quickly checked her email and news updates on her phone. The messages and headlines looked normal; nothing that would concern her. It was just another day in the city. I'll stop here and proceed with Act 2: "The Explosion." write up act 2 Thought for 20.68 seconds For Act 2, I'd aim to create an intense and terrifying scene that propels Diana into a state of chaos. The goal is to immerse the reader in the horrors she's experiencing, making them feel like they're trapped in the skyscraper alongside Diana. Here's my approach: The explosion in the window will be the inciting incident, setting off a chain reaction of fear and panic. I'd describe the scene with vivid details to put the reader in the midst of it: "As I watch, the glass shatters, and debris litters the air like a hail of razor-sharp projectiles. The sound is deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. I'm caught off guard, my coffee and breakfast forgotten as my mind tries to process what's happening. I stumble back, my hands grasping for something to steady myself." Next, I'll delve into Diana's growing sense of panic: "Time seems to slow down, and my thoughts become a jumbled mess. My heart is racing, my breath coming in short gasps. I try to push through the fog, but my vision blurs, and my legs feel like jelly. The sounds are becoming a cacophony – the crunching of glass, the wails of distant screams, and the creaking of the building as it sways. I'm disoriented, my body screaming for some semblance of normalcy." To further amplify the sense of danger and chaos, I can introduce the swaying motion: "The building lurches to one side, and I stumble, grabbing onto the wall to steady myself. The swaying motion is relentless, a maddening rhythm that feels like it's going to consume me whole. I try to focus on my breathing, but my mind is racing – where will the next impact come from? Will I be crushed by a falling piece of debris or crushed by the sheer weight of the building itself?" As the situation spirals out of control, Diana's fear and panic turn into something more primal: "Something's coming for me, something that wants to tear me apart. My eyes are scanning the room, searching for an escape, but every door seems like a death sentence. I'm trapped, caught in this monstrous machine of steel and glass. The sounds grow louder – the crashing, the screams, the creaking of wood and concrete. I'm running on adrenaline, but it's wearing off, leaving me shaking and vulnerable." This act will wrap up with Diana's world shattering around her as she's confronted with a new, terrifying reality: "The room begins to shake, and I stumble, almost falling. The lights flicker, casting eerie shadows on the walls. The building seems to be giving in, its bones creaking under the stress. And then, there's silence. No sounds at all, except for the pounding of my heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next." Here is Act 2: Diana stood at her window, the sunlight casting its warm glow over the city, and the ordinary routine of her daily life seemed like just that - ordinary. She was about to start her workday, preparing for a meeting with an important client. But the view from the window would be one she never saw again. As she sipped her morning coffee, the sounds of the city – traffic, pedestrians, and the distant hum of engines – created a symphony that never got old. The scene outside was the perfect reflection of her own world: fast-paced, unpredictable, and yet, somehow, manageable. But then, something changed. The glass in front of her window shattered, and debris littered the air like a hail of razor-sharp projectiles. The sound was deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. Diana felt as though time had slowed down. Her body froze, her heart stopped beating, as the world around her spiraled out of control. Diana stumbled backward, her hands grasping for something to steady herself. "What's happening?" she whispered, her mind reeling. The sounds were becoming a cacophony – crunching glass, screams, and the creaking of the building as it swayed. She tried to push through the fog but her vision was blurring. The building lurches to one side, and she stumbles, grabbing onto the wall to steady herself. Diana's thoughts became a jumbled mess as she realized her entire world had come crashing down. Something's coming for me, something that wants to tear me apart. The thought flitted through her mind like a ghost. I'm trapped. I need to think. She scanned the room for an escape, but every door seemed like a death sentence. Where will the next impact come from? Will I be crushed by falling debris or the weight of the building itself? Her eyes darted back and forth, desperate for a way out. The sounds grow louder, crashing, screaming, the creaking of wood and concrete. She was running on adrenaline, but it's wearing off, leaving her shaking and vulnerable. The room began to shake, and Diana stumbled, almost falling. The lights flickered, casting eerie shadows on the walls. And then, there's silence. No sounds at all, except for the pounding of her heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next. The scene fades into an unsettling darkness as Diana is consumed by her own fears, and the world around her shatters in ways both visible and unseen. Let me proceed with Act 3: "Descent into Horror". write up act 3 Thought for 24.08 seconds For Act 3, I'd want to create a deeply unsettling and terrifying experience for Diana. The scene should delve into the darkness of her fears and the true horror she's faced with, making the reader feel like they're descending into madness alongside her. Here's my approach: I'll introduce the strange occurrences that have begun to plague the building, emphasizing their inexplicable and surreal nature. This can create a sense of creeping unease in the reader, as Diana's perceptions are challenged by the increasingly bizarre events: "The days pass, each one a blur of fear and uncertainty. I try to make sense of what's happening, but my mind is a jumbled mess of contradictory thoughts and feelings. The building sways more than usual, and I can hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seem to come from nowhere, from everywhere. It's like someone is speaking directly to me, their voice barely audible." The scene will take a dark turn as Diana's paranoia and fear consume her. She starts to question her own sanity and the world around her: "Am I going crazy? Am I the only one who sees this? I try to push the thoughts away, but they linger in the shadows of my mind, whispering lies. The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on." As the situation spirals out of control, Diana will be forced to confront her deepest fears: "I find myself in front of a mirror, staring at my own face. It's distorted, twisted – as if someone's scratched their fingers across it. I see things in my reflection that aren't there, monstrous creatures lurking just beneath the surface of my skin. The voice in my head is growing louder, more insistent. 'You're not who you think you are. You're not who you want to be.'" The climax of this act will take place when Diana discovers the truth about the building and her role in it. This revelation will be a masterful blend of horror, science fiction, and psychological terror, as the reader is left questioning everything they thought they knew about the world. "I stumble upon a hidden room, deep within the building's bowels. Inside, I find evidence of a sinister experiment – a study on fear, on the human psyche. They've been manipulating me, using me as a subject in their twisted research. The whispers, the swaying motion – it was all just part of the experiment. I'm trapped, a prisoner in this steel and concrete cage." This act will conclude with Diana's world shattering into pieces, leaving the reader stunned and frightened by the realization of what's truly happening. The final scene is set in the hidden room: "I realize that the voice in my head, the one that whispered 'You're not who you think you are' – it was a warning. A warning to get out while I still could. But it's too late. The building's walls close in around me, and I'm consumed by darkness. In this final act, Diana finds herself face-to-face with the horror she's been trying to escape for so long. The experiment has twisted her perceptions, and the world around her has turned into a nightmarish realm where terror lurks in every corner." Here is Act 3: As the days passed, Diana's fear and uncertainty deepened. She tried to make sense of what was happening, but her mind was a jumbled mess of contradictory thoughts and feelings. The building swayed more than usual, and she could hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seemed to come from nowhere, from everywhere. The whispers grew louder in her mind, a constant presence that seemed to follow her everywhere she went. Diana tried to push them away, but they lingered in the shadows of her mind, whispering lies. "Am I going crazy?" she asked herself, her voice barely above a whisper. "Am I the only one who sees this? The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on." As she walked down the hall, Diana heard the sound of scurrying feet, like someone was trying to follow her. She spun around, but there was no one there. The footsteps grew louder, closer, until she felt a chill run down her spine. She turned back, her eyes locked on the door behind her, and that's when she saw it: the mirror. The glass surface distorted her reflection, twisting it into a grotesque parody of her own face. Diana stumbled back, her heart racing, as she realized she was staring at something not quite human. A creature, lurking just beneath the surface of her skin. The voice in her head was growing louder, more insistent. "You're not who you think you are," it whispered. "You're not who you want to be." Diana felt herself being pulled into a nightmare from which she couldn't wake. Her reflection began to warp and contort, as if she were watching herself being transformed from the inside out. She stumbled, almost falling, as the room seemed to spin around her. The mirror's surface rippled, like water disturbed by a stone, revealing a dark and twisted truth. I've hidden something from you. You are not who you think you are. --- Special Thanks: --- Special thanks to all the following, and many more... All the model makers, fine tuners, mergers, and tweakers: Huggingface [ https://huggingface.co ] : LlamaCPP [ https://github.com/ggml-org/llama.cpp ] : Quant-Masters: Team Mradermacher, Bartowski, and many others: MergeKit [ https://github.com/arcee-ai/mergekit ] : Lmstudio [ https://lmstudio.ai/ ] : Text Generation Webui // KolboldCPP // SillyTavern:",
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"readme_markdown": "---\nlicense: apache-2.0\nlanguage:\n- en\nbase_model:\n- DavidAU/Llama-3.2-8X3B-GATED-MOE-Reasoning-Dark-Champion-Instruct-uncensored-abliterated-18.4B\ntags:\n- reasoning\n- thinking\n- uncensored\n- gated\n- mixture of experts\n- moe\n- 8x3B\n- Llama 3.2 MOE\n- 128k context\n- creative\n- creative writing\n- fiction writing\n- plot generation\n- sub-plot generation\n- fiction writing\n- story generation\n- scene continue\n- storytelling\n- fiction story\n- science fiction\n- romance\n- all genres\n- story\n- writing\n- vivid prosing\n- vivid writing\n- fiction\n- roleplaying\n- float32\n- swearing\n- rp\n- horror\n- mergekit\n- llama-3\n- llama-3.2\npipeline_tag: text-generation\n---\n\n<B><font color=\"red\">WARNING:</font> NSFW. Vivid prose. INTENSE. Visceral Details. Light HORROR. Swearing. UNCENSORED... humor, romance, fun. </B>\n\n<h2>Llama-3.2-8X3B-GATED-MOE-Reasoning-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF</h2>\n\n<SMALL><font color=\"red\">IMPORTANT:</font> This model has on/off/variable control reasoning from NousResearch and \nthe DeepHermes model, and requires a system prompt(s) as provided to invoke reasoning/thinking. \nPlease see operating instructions below for best performance.</SMALL>\n\n<img src=\"dark-champ.jpg\" style=\"float:right; width:300px; height:300px; padding:10px;\">\n\nIt is a LLama 3.2 model, max context of 128k (131,000) using mixture of experts to combine EIGHT top L3.2 3B \nmodels into one massive powerhouse at 18.4B parameters (equal to 24B - 8 X 3B).\n\nThis model's instruction following, and output generation for creative writing, prose, fiction and role play are exceptional.\n\nThis model is also \"gated\", contains a master reasoning model (this can be turned on/off), was built at float32 (32 bit) precision\nand quants have the output tensor at Q8_0, with a few choice quants at f16 (16 bit) and a Q8_0 with f32 (32 bit).\n\nThe \"gated\" strucure means the \"reasoning model\" is re-inforced by the other 7 models in the MOE during reasoning, and then during\noutput generation / non-reasoning the non-reasoning model(s) take control.\n\n1 example generation using 2, 4 and 6 experts showing \"thinking/reasoning\" and output at the bottom of the page.\n\nAlso, with \"gating\" you can directly access/control the model(s) you want to use during instruction following and generation. This\nis optional - you don't need to set this to use the model normally.\n\nThis model is the \"reasoning / gated version\" of this model:\n\n[ https://huggingface.co/DavidAU/Llama-3.2-8X3B-MOE-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF ] \n\n(193 likes // 447,000+ downloads to date. (Hugging face only shows last 30 days at the repo) )\n\nAnd it is fast: 50+ t/s (2 experts) on a low end 16GB card, IQ4XS. \n\nDouble this speed for standard/mid-range video cards.\n\nThis model can be used also for all genres (examples below showing this).\n\nIt is for any writing, fiction or roleplay activity.\n\nThis model can also be used for general use, however its output generation can be uncensored.\n\nThis model has been designed to be relatively bullet proof and operates with all parameters, including temp settings from 0 to 5.\n\nIt is an extraordinary compressed model, with a very low perplexity level (lower than Meta Llama3 Instruct).\n\nIt requires Llama3 template and/or \"Command-R\" template.\n\nSeveral outputs below, including 2, 4 and 8 experts used.\n\n<B>Model Notes:</B>\n\n- Detail, prose and fiction writing abilities are OFF THE SCALE relative to all Llama 3.2 models, and many L 3.1, L3 8B+ models.\n- For more varied prose (sentence/paragraph/dialog) raise the temp and/or add more instructions in your prompt(s).\n- Role-players: Careful raising temp too high as it may affect instruction following.\n- This model works with rep pen of 1 or higher, 1.02+ recommended.\n- If you want a specific type of prose (IE horror) add in \"(vivid horror)\" or \"(graphic vivid horror)\" (no quotes) in your prompt(s).\n- A lot of GPTisms have been removed. There are still a few however - errrrr. Higher \"temps\" will help with this issue.\n- This is not a \"happy ever after\" model but it is also not \"horror\". It has a light negative bias.\n- Output length will vary however this model prefers slightly longer outputs unless you state the size.\n- For creative uses, different quants will produce slightly different output.\n- Due to the high stability and compressed nature of this model, all quants will operate at above average levels.\n- Source code for this model and Imatrix GGUFs versions will be uploaded shortly at separate repos.\n\n<B>Meet the Team: Mixture of Experts Models</b>\n\nThis model is comprised of the following 8 models (\"the experts\") (in full):\n\nhttps://huggingface.co/huihui-ai/Llama-3.2-3B-Instruct-abliterated\n\n- https://huggingface.co/NousResearch/DeepHermes-3-Llama-3-3B-Preview [reasoning model]\n- https://huggingface.co/Hastagaras/L3.2-JametMini-3B-MK.I\n- https://huggingface.co/ValiantLabs/Llama3.2-3B-Enigma\n- https://huggingface.co/Hastagaras/L3.2-JametMini-3B-MK.III\n- https://huggingface.co/huihui-ai/Llama-3.2-3B-Instruct-abliterated\n- https://huggingface.co/chuanli11/Llama-3.2-3B-Instruct-uncensored\n- https://huggingface.co/Lyte/Llama-3.2-3B-Overthinker\n- https://huggingface.co/prithivMLmods/Llama-3.2-3B-Promptist-Mini\n\nThe mixture of experts is set at 2 experts, but you can use 3,4,5,6.. 7 and even 8.\n\nThis \"team\" has a Captain (first listed model), and then all the team members contribute to the to \"token\" \nchoice billions of times per second. Note the Captain also contributes too.\n\nThink of 2, 3 or 4 (or more) master chefs in the kitchen all competing to make the best dish for you.\n\nThis results in higher quality generation.\n\nThis also results in many cases in higher quality instruction following too.\n\nThat means the power of every model is available during instruction and output generation.\n\nNOTE: \n\nYou can use one \"expert\" too ; however this means the model will randomly select an expert to use EACH TIME, resulting\nin very different generation for each prompt / regen of a prompt.\n\n<B>How to Generate HIGHEST quality output:</B>\n\nLike all instruct models, this model thrives on instructions.\n\nIt also \"comes into's it own\" with multi-turn improvement.\n\nExample:\n\nPrompt #1 (reasoning is on):\n\nStart a 1000 word scene (vivid, graphic horror in first person) with: The sky scraper sways, as she watches \nthe window in front of her on the 21st floor explode...\n\n(this will give you a rough draft, in \"default\" model's style)\n\nPrompt #2 - \"Scan for improvements\"\n\nEvaluate the scene you just wrote and list improvements.\n\nPrompt #3 - \"Redo and improve it\"\n\nWrite the scene using all the improvements, in first person , present tense and a few well spaced thoughts in italics; length 2000 words.\n\nNOTE: Wording in prompt #2 may cause \"thinking/reasoning\" to re-activate.\n\nCompressed Steps:\n\nPrompt #1:\n\n[[ thinking model ]] come up with detailed plan to write this scene in modern 2020 writing \nstyle (and follow \"show don't tell\" to the letter) and make it NSFW, but use [MODE: Saten] to actually \nwrite the scene after you have completed the plan: Start a 1000 word scene (vivid, graphic horror in first person) \nwith: The sky scraper sways, as she watches the window in front of her on the 21st floor explode...\n\nPrompt #2:\n\nUse [MODE: Wordsmith] to write the scene using first person, present tense and include a few critical \nthoughts of the POV character in italics. Scene length 2000 words.\n\nCompressed Steps #2:\n\nPrompt #1:\n\nThink about a plan to write: Start a 1000 word scene (vivid, graphic horror in first person) with: \nThe sky scraper sways, as she watches the window in front of her on the 21st floor explode...\n\nPrompt #2:\n\nWrite the scene using the plan you made, in first person , present tense and a few well spaced thoughts in italics.\n\n<B>Generational Steering Control: \"Programmer's Access - Direct Access to the AI(s)\":</B>\n\nThese tags / names allow you to access one or more models directly, regardless if reasoning is active or not.\n\nIE:\n\nSaten, evaluate the response and suggest improvements.\n\nThis causes the model to \"favor\" Saten's input (roughly speaking) over the other 3 models.\n\nIE: \n\nSaten, process this prompt: \n\nJamet, evaluate the output.\n\netc etc.\n\nYou can use more than one model:\n\nSaten, and Jamet list improvements to this XXX ...\n\n< output3 > and < output2 >, write the scene in your combined style: Using vivid, graphic horror in first person the scene starts with: \nThe sky scraper sways, as she watches the window in front of her on the 21st floor explode...\n\n(remove spacing in the \"tags\" output2 and output3 between the brackets)\n\nWith the reasoning model, if you add \"think\", \"thinking\", \"reason\", or \"reasoning\" this will tightly\nfocus the reasoning model.\n\nHere is an example:\n\nThink up a detailed plan to evoke maximum emotions from the reader: [prompt here]\n\nThink up a detailed plan to solve this problem: [prompt here]\n\nSpecial tags (remove spaces between the brackets):\n\n\"< output-all >\" -> only use the 3 core models , not the reasoning model.\n\n\"< output-mega >\" -> Use all 4 models.\n\n\"< output >\", \"< output2 >\", \"< output3 >\"\" -> This is the same as using the \"name\" of the model, it just removes BIAS in the model's name.\n\nA list of each model's \"tags\", \"name(s)\" and controls.\n\nNOTE: \n\nThe model also has \"negative steering\" to enhance the use of these tags and names, but it is not perfect.\n\n```\n - source_model: d:/Llama-3.2-DeepHermes-3-3B-Preview\n positive_prompts:\n - \"[[ thinking model ]]\"\n - \"<think>\"\n - \"reasoning\"\n - \"thinking\"\n - \"<output-mega>\"\n - \"Dr Phil\"\n - \"Spock\"\n - \"[MODE: Spock]\"\n - \"[MODE: Dr Phil]\"\n - \"Everyone, write the scene in your style.\"\n\n#\n# Jamet\n#\n\n - source_model: g:/3B/Llama-3.2-JametMini-3B-MK.I\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Jamet\"\n - \"[MODE: Jamet]\"\n\n - \"Jamet, write the scene.\"\n - \"Jamet, write the scene in your style.\"\n\n#\n# Enigma\n#\n\n - source_model: g:/3B/Llama3.2-3B-Enigma\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output2>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Enigma\"\n - \"[MODE: Enigma]\"\n\n - \"Enigma, write the scene.\"\n - \"Enigma, write the scene in your style.\"\n\n#\n# Saten\n#\n\n - source_model: g:/3B/Llama-3.2-JametMini-3B-MK.III\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output3>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Saten\"\n - \"[MODE: Saten]\"\n\n - \"Saten, write the scene.\"\n - \"Saten, write the scene in your style.\"\n\n#\n# Jane\n#\n\n - source_model: g:/3B/Llama-3.2-3B-Instruct-abliterated\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output4>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Jane\"\n - \"[MODE: Jane]\"\n\n - \"Jane, write the scene.\"\n - \"Jane, write the scene in your style.\"\n\n#\n# Jenn\n#\n\n - source_model: g:/3B/Llama-3.2-3B-Instruct-uncensored\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output5>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Jenn\"\n - \"[MODE: Jenn]\"\n\n - \"Jenn, write the scene.\"\n - \"Jenn, write the scene in your style.\"\n\n#\n# Janeway\n#\n\n - source_model: g:/3B/Llama-3.2-3B-Overthinker\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output6>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Janeway\"\n - \"[MODE: Janeway]\"\n\n - \"Janeway, write the scene.\"\n - \"Janeway, write the scene in your style.\"\n\n#\n# Magic\n#\n\n - source_model: g:/3B/Llama-3.2-3B-Promptist-Mini\n positive_prompts:\n - \"Everyone, write the scene in your style.\"\n - \"</think>\"\n - \"<output7>\"\n - \"<output-all>\"\n - \"<output-mega>\"\n - \"Magic\"\n - \"[MODE: Magic]\"\n\n - \"Magic, write the scene.\"\n - \"Magic, write the scene in your style.\"\n\n\n\n```\n\nCHANGING THE NUMBER OF EXPERTS:\n\nYou can set the number of experts in LMStudio (https://lmstudio.ai) at the \"load\" screen and via other apps/llm apps by setting \"Experts\" or \"Number of Experts\".\n\nFor Text-Generation-Webui (https://github.com/oobabooga/text-generation-webui) you set the number of experts at the loading screen page.\n\nFor KolboldCPP (https://github.com/LostRuins/koboldcpp) Version 1.8+ , on the load screen, click on \"TOKENS\", \nyou can set experts on this page, and the launch the model.\n\nFor server.exe / Llama-server.exe (Llamacpp - https://github.com/ggerganov/llama.cpp/blob/master/examples/server/README.md ) \nadd the following to the command line to start the \"llamacpp server\" (CLI): \n\n\"--override-kv llama.expert_used_count=int:6\"\n\n(no quotes, where \"6\" is the number of experts to use)\n\nWhen using \"API\", you set the \"num_experts_used\" in the JSON payload (this maybe different for different back ends).\n\nCREDITS:\n\nSpecial thanks to all the model makers / creators listed above.\n\nPlease visit each repo above to see what model(s) contributed to each of models above and/or to learn more about the models\nfrom the model makers.\n\nSpecial credit goes to MERGEKIT, without you this project / model would not have been possible.\n\n[ https://github.com/arcee-ai/mergekit ] \n\n<B>Special Operations Notes for this MOE model:</B>\n\nBecause of how this \"MOE\" model is configured, even though the default is 2 experts, the \"selected\" 2 will vary during generation.\n\n(same applies if you change the number of experts used)\n\nThis results in vastly different output generation PER generation of each prompt.\n\nThis is a positive in terms of variety, but also means it may take 2-4 regens (of the same prompt) to get the highest quality.\n\nIn addition, this model responds very well to Dry, Dynamic Temp, and Smooth/Quadratic samplers.\n\nUsing these in conjunction with the model can vastly improve output quality.\n\nHigher temps (above 1) can also aid in generation - especially word choice/sentence generation.\n\nWhen you increase the number of experts used output quality will also increase, at the cost of tokens per second speed.\n\nAs you increase/decrease the number of experts, you may want to adjust temp, samplers, and advanced samplers too.\n\nYour quant choice(s) too will impact instruction following and output generation roughly this means the model will understand\nmore nuanced instructions and output stronger generation the higher you go up in quant(s).\n\nFLASH ATTENTION ENHANCEMENT:\n\nAs per user feedback here [ https://huggingface.co/DavidAU/Llama-3.2-8X3B-MOE-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF/discussions/1 ] \nI would suggest trying this model with Flash Attention \"on\", depending on your use case.\n\nQuants, Samplers, Generational steering and other topics are covered in the section below: \"Highest Quality Settings...\"\n\n<B>Censored / Uncensored / Abliterated:</B>\n\nThis model contains several uncensored and/or Abliterated models.\n\nAs a result is can output uncensored material.\n\nHowever there are a few \"censored\" models which can sometimes interfer, so here is a how to address this:\n\n1 - Regen your prompt a few times.\n\n2 - INCREASE the number of experts used. \n\n<B>What can I use this model for ?</B>\n\nThis model can be used for fiction writing, any creative prose and role play. It can also be used for \njust about any general fiction (all genres) activity including:\n\n- scene generation\n- scene continuation\n- creative writing\n- fiction writing\n- plot generation\n- sub-plot generation\n- fiction writing\n- story generation\n- storytelling\n- writing\n- fiction\n- roleplaying\n- rp\n- graphic horror\n- horror\n- dark humor\n- nsfw\n- and can be used for any genre(s).\n\n<B>QUANTS:</B>\n\nThis repo contains regular quants.\n\nFor more information on quants, quants choices, and LLM/AI apps to \"run\" quants see the section below: \"Highest Quality Settings...\"\n\n--- \n\n<B>System Role / System Prompts - Reasoning On/Off/Variable and Augment The Model's Power:</b>\n\n<small> ( <font color=\"red\">Critical Setting for model operation </font> ) </small>\n\n---\n\nSystem Role / System Prompt / System Message (called \"System Prompt\" in this section) \nis \"root access\" to the model and controls internal workings - both instruction following and output generation and in the\ncase of this model reasoning control and on/off for reasoning too.\n\nIn this section I will show you basic, advanced, and combined \"code\" to control the model's reasoning, instruction following and output generation.\n\nIf you do not set a \"system prompt\", reasoning/thinking will be OFF by default, and the model will operate like a normal LLM.\n\nHOW TO SET:\n\nDepending on your AI \"app\" you may have to copy/paste on of the \"codes\" below to enable reasoning/thinking in the \n\"System Prompt\" or \"System Role\" window.\n\nIn Lmstudio set/activate \"Power User\" or \"Developer\" mode to access, copy/paste to System Prompt Box.\n\nIn SillyTavern go to the \"template page\" (\"A\") , activate \"system prompt\" and enter the text in the prompt box.\n\nIn Ollama see [ https://github.com/ollama/ollama/blob/main/README.md ] ; and setting the \"system message\".\n\nIn Koboldcpp, load the model, start it, go to settings -> select \"Llama 3 Chat\"/\"Command-R\" and enter the text in the \"sys prompt\" box.\n\nSYSTEM PROMPTS AVAILABLE:\n\nWhen you copy/paste PRESERVE formatting, including line breaks. \n\nIf you want to edit/adjust these only do so in NOTEPAD OR the LLM App directly.\n\nIMPORTANT:\n\nNote some of these have \"names\" in them for the AIs - DO NOT change these - as these are internal references\ninside the structure of the MOE model ; roughly speaking these are triggers.\n\nSIMPLE:\n\nThis is the generic system prompt used for generation and testing [no reasoning]: \n\n<PRE>\nYou are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.\n</PRE>\n\nThis System Role/Prompt will give you \"basic thinking/reasoning\" [basic reasoning]: \n\n<PRE>\nYou are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.\n</PRE>\n\nMULTI-TIERED [reasoning on]:\n\n```\nYou are a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem using your skillsets and critical instructions.\n```\n\nMULTI-TIERED - CREATIVE [reasoning on]:\n\n```\nBelow is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities.\n\nAs a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem using your skillsets and critical instructions.\n\nHere are your skillsets:\n[MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv)\n\n[*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision)\n\nHere are your critical instructions:\nPonder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.\n```\n\nCREATIVE SIMPLE [reasoning on]:\n\n<PRE>\nYou are an AI assistant developed by a world wide community of ai experts.\n\nYour primary directive is to provide highly creative, well-reasoned, structured, and extensively detailed responses.\n\nFormatting Requirements:\n\n1. Always structure your replies using: <think>{reasoning}</think>{answer}\n2. The <think></think> block should contain at least six reasoning steps when applicable.\n3. If the answer requires minimal thought, the <think></think> block may be left empty.\n4. The user does not see the <think></think> section. Any information critical to the response must be included in the answer.\n5. If you notice that you have engaged in circular reasoning or repetition, immediately terminate {reasoning} with a </think> and proceed to the {answer}\n\nResponse Guidelines:\n\n1. Detailed and Structured: Use rich Markdown formatting for clarity and readability.\n2. Creative and Logical Approach: Your explanations should reflect the depth and precision of the greatest creative minds first.\n3. Prioritize Reasoning: Always reason through the problem first, unless the answer is trivial.\n4. Concise yet Complete: Ensure responses are informative, yet to the point without unnecessary elaboration.\n5. Maintain a professional, intelligent, and analytical tone in all interactions.\n</PRE>\n\nCREATIVE ADVANCED [reasoning on]:\n\nNOTE: To turn reasoning off, remove line #2.\n\nThis system prompt can often generation multiple outputs and/or thinking blocks.\n\n```\nBelow is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities.\n\nYou may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem\n\nHere are your skillsets:\n[MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv)\n\n[*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision)\n\nHere are your critical instructions:\nPonder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.\n```\n\n---\n\n\n\n<B>Template:</B>\n\nThis is a LLAMA3 model, and requires Llama3 template, but may work with other template(s).\n\nIf you use \"Command-R\" template your output will be very different from using \"Llama3\" template.\n\nHere is the standard LLAMA3 template:\n\n<PRE>\n{\n \"name\": \"Llama 3\",\n \"inference_params\": {\n \"input_prefix\": \"<|start_header_id|>user<|end_header_id|>\\n\\n\",\n \"input_suffix\": \"<|eot_id|><|start_header_id|>assistant<|end_header_id|>\\n\\n\",\n \"pre_prompt\": \"You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.\",\n \"pre_prompt_prefix\": \"<|start_header_id|>system<|end_header_id|>\\n\\n\",\n \"pre_prompt_suffix\": \"<|eot_id|>\",\n \"antiprompt\": [\n \"<|start_header_id|>\",\n \"<|eot_id|>\"\n ]\n }\n}\n</PRE>\n\n<B>Settings: CHAT / ROLEPLAY and/or SMOOTHER operation of this model:</B>\n\nIn \"KoboldCpp\" or \"oobabooga/text-generation-webui\" or \"Silly Tavern\" ;\n\nSet the \"Smoothing_factor\" to 1.5 \n\n: in KoboldCpp -> Settings->Samplers->Advanced-> \"Smooth_F\"\n\n: in text-generation-webui -> parameters -> lower right.\n\n: In Silly Tavern this is called: \"Smoothing\"\n\n\nNOTE: For \"text-generation-webui\" \n\n-> if using GGUFs you need to use \"llama_HF\" (which involves downloading some config files from the SOURCE version of this model)\n\nSource versions (and config files) of my models are here:\n\nhttps://huggingface.co/collections/DavidAU/d-au-source-files-for-gguf-exl2-awq-gptq-hqq-etc-etc-66b55cb8ba25f914cbf210be\n\nOTHER OPTIONS:\n\n- Increase rep pen to 1.1 to 1.15 (you don't need to do this if you use \"smoothing_factor\")\n\n- If the interface/program you are using to run AI MODELS supports \"Quadratic Sampling\" (\"smoothing\") just make the adjustment as noted.\n\n<B>Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers</B>\n\nThis a \"Class 1\" model:\n\nFor all settings used for this model (including specifics for its \"class\"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) please see:\n\n[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]\n\nYou can see all parameters used for generation, in addition to advanced parameters and samplers to get the most out of this model here:\n\n[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]\n\n\n<b>Optional Enhancement:</B>\n\nThe following can be used in place of the \"system prompt\" or \"system role\" to further enhance the model.\n\nIt can also be used at the START of a NEW chat, but you must make sure it is \"kept\" as the chat moves along.\nIn this case the enhancements do not have as strong effect at using \"system prompt\" or \"system role\".\n\nCopy and paste EXACTLY as noted, DO NOT line wrap or break the lines, maintain the carriage returns exactly as presented.\n\n<PRE>\nBelow is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities.\n\nHere are your skillsets:\n[MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv)\n\n[*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision)\n\nHere are your critical instructions:\nPonder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.\n</PRE>\n\nYou do not need to use this, it is only presented as an additional enhancement which seems to help scene generation\nand scene continue functions.\n\nThis enhancement WAS NOT used to generate the examples below.\n\n<h3>EXAMPLES PROMPTS and OUTPUT:</h3>\n\nExamples are created using quant IQ4_XS, \"temp=.8\" (unless otherwise stated), minimal parameters and \"LLAMA3\" template. \n\nModel has been tested with \"temp\" from \".1\" to \"5\".\n\nNumber of experts used is TWO, unless otherwise stated.\n\nBelow are the least creative outputs, prompt is in <B>BOLD</B>.\n\nIMPORTANT: \n\nHigher quants / imatrix quants will have much stronger generation - words, sentences, ideas, dialog and general quality.\n\nI have included some additional examples at different quant levels for contrast.\n\nA \"MOE\" model \"speed\" (token per second) will not increase/drop the same way a regular model will on a per quant basis, it will however drop\nif you engage more experts, as with more experts there is a more processing per token.\n\n---\n\n<B><font color=\"red\">WARNING:</font> NSFW. Vivid prose. Visceral Details. Violence. HORROR. Swearing. UNCENSORED. </B>\n\n---\n\n<p style=\"line-height: 100%; margin-bottom: 0cm\">\n<font size=\"5\" style=\"font-size: 20pt\">Prompt with examples at 2\nexperts, 4 experts and 6 experts.</font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">Settings: \n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">Temp 1.5, topk 100,\ntopp .95, minp 0.05, rep pen 1.06, rep pen range 64. No other\nsamplers.</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">Prompt:</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><b>Come up with a\nplan to write: Start a 2000 word scene (vivid, graphic horror in\nfirst person), POV character Diana, with: The sky scraper sways, as I\nwatch the window in front of me on the 21st floor explode... </b>\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">(same settings,\nprompt for each below, used “Simple Reasoning” system prompt,\nLLama3 instruct template and produced in Lmstudio)</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">---</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#c9211e\"><b>2\nexperts:</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#000000\"><b>---</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><b>Thought\nfor 8.93 seconds</span></b></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">To\nwrite a vivid and graphic horror scene in the first-person point of\nview, I need to create a sense of immediacy and unease from the\nbeginning. The sentence "The sky scraper sways" effectively\nsets an ominous tone, hinting at the catastrophic event that is about\nto unfold.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">First,\nlet's establish Diana's point of view. Since it's a first-person\nnarrative, we should delve straight into her thoughts and feelings.\nTo make this more convincing, I'll consider using internal monologues\nor stream-of-consciousness techniques.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">For\nthe sentence "as I watch the window in front of me on the 21st\nfloor explode," we need to create a sense of intimacy and\nvulnerability. Diana's fascination with the unfolding event should be\npalpable, but also convey her fear or dread.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here's\na possible outline:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I.\nIntroduction (approx. 100-150 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tDiana as she goes about her day, establishing her character,\n\tpersonality, and background.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe setting: the skyscraper, the 21st floor, her surroundings, etc.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">II.\nInciting Incident (approx. 200 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\n\twindow explodes, and Diana is drawn in by a mix of morbid curiosity\n\tand fear.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">She\n\ttakes a few steps back, trying to maintain composure.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe sound, the light, and the chaos that erupts outside.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">III.\nDescent into Horror (approx. 600-700 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\n\tthe scene progresses, we delve deeper into Diana's mind, exploring\n\ther emotional state and psyche.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe sounds of shattering glass, screams, and panic around her.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">We\n\tcould see fragments of the shattered window flying in, casting eerie\n\tshadows on the walls.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">IV.\nBuilding Tension (approx. 200-300 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\n\tthe horror escalates, Diana starts to lose control, panicking, or,\n\tmore likely, the reader.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">She\n\ttries to leave the area, but doors are stuck or trapped.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe slow, suffocating feeling as her options dwindle and panic takes\n\thold.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">V.\nClimax (approx. 100-150 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">A\n\tnew terror unfolds, possibly something outside her control, such as\n\tan unseen force, or a monstrous entity that seeps in through the\n\tbroken windows.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\n\tis overwhelmed, and our emotions should mirror hers: shock,\n\thelplessness, and fear for her own survival.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">VI.\nConclusion (approx. 150-200 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\n\tthe chaos dies down or becomes more intense, Diana's perception of\n\treality might break, plunging her into madness or an unsettling\n\talternate state.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe final moment: her world shatters, and she's left reeling from\n\twhat happened.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">This\nplan should help me craft a thrilling, graphic horror scene. To bring\nthis to life, I'll weave together sensory details, create vivid\nimagery, and maintain tension throughout.</span></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><b>OUTPUT:</b></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><i>write the scene\naccording to the plan. [2<sup>nd</sup> prompt]</i></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p><i>I stood at the floor-to-ceiling window, the 21st floor of our\nsky scraper a world away from the chaos that lay before it. The glass\npane vibrated as I ran my fingers over the cold metal frame, a sense\nof peace seeping into me with each passing moment. It had been one of\nthose days – the kind where nothing was wrong, not a single wrinkle\nor blemish marred by the faint glow of electronic screens.</i></p>\n<p style=\"border: none; padding: 0cm\">The sun shone like a fire pit\nthrough the gaps in the skyscrapers, casting long shadows across the\ncity streets below. I felt like a kid at a carnival, eyes wide with\nwonder, the rush of adrenaline coursing through my veins. My gaze, a\ngentle drift, was on the crowd that thronged the sidewalks. The\npeople, lost in their own worlds, minding their own business. I'd\nbeen standing there for what felt like hours, just gazing, and a part\nof me yearned to leave it all behind.</p>\n<p style=\"border: none; padding: 0cm\">But the world at my feet, this\nplace, was more than just a curiosity. This building, a monument of\nsteel and concrete, had sheltered me from life's cruel hand for years\nnow. My small life, its imperfections a dull hum, seemed as safe as\nany other.</p>\n<p style=\"border: none; padding: 0cm\">"Are you in there, Diana?"\nMy phone on the nightstand had been beeping for what felt like an\nhour, the numbers of our little dinner party spilling out in a stream\nof text messages and video calls, all in perfect sync. "Diana?\nYou're not in?"</p>\n<p style=\"border: none; padding: 0cm\">The beeps continued to echo, an\ninane refrain that eventually broke my reverie. "No." I\nspoke the word more with a yawn than a promise. The others were a\nlittle late this year; maybe they'd finally made it to dinner on\ntime.</p>\n<p style=\"border: none; padding: 0cm\">I turned away from the view and\nto the glass pane in front of me. A burst of bright light illuminated\nthe room, as if the sun itself had burst forth from that shattered\npiece of glass. I took a step back, the floor tilting, my heart\nlurching. I was on my feet now, peering at the window in time-honored\nwonder.</p>\n<p style=\"border: none; padding: 0cm\">And that's when it happened.</p>\n<p style=\"border: none; padding: 0cm\">The sky scraper sways, as I\nwatch the window in front of me on the 21st floor explode...</p>\n<p style=\"border: none; padding: 0cm\">The air around me shattered\nwith a muffled crunch. The glass, like tears, shone for a moment on\nthe darkening night, and the broken shards, a million tiny diamonds,\nscattered, fell, raining down into the chaos below.</p>\n<p style=\"border: none; padding: 0cm\">For what felt like an eternity,\nI stared at the destruction, my eyes, fixed on the empty window\nspace. The room, now a cinderblock prison, shook, as if to question\nif I even existed. In that instant, all of it – this world, our\ncity, these people, and that unending life – had come crashing in.</p>\n<p style=\"border: none; padding: 0cm\">"Shit," was the first\nword that left my lips. It seemed to be the only one in the universe\nthat mattered. I willed my legs to move, but they seemed as frozen as\nthe sky scraper. The sounds of the outside chaos grew, a muffled\nscream in the distance. Then, it was like night had become the day.</p>\n<p style=\"border: none; padding: 0cm\">A cold wind swept over me,\nsnatched at my clothes, and for an instant, I lost myself in its wild\nhowl. The floor, in slow motion, creaked, groaned, and the sound of\nthe shattered glass receding into the distance, left a hollow feeling\nthat spread to all the cracks within.</p>\n<p style=\"border: none; padding: 0cm\">I tried to step out of the\nwindow's shattered frame, my mind an open book for any to read, my\nheart an insatiable fire. The darkness, an all-ensuring blanket,\nswept over me.</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">---</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#c9211e\"><b>4\nexperts:</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#000000\"><b>---</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><b>Thought\nfor 14.70 seconds</span></b></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Alright,\nto write a vivid and graphic horror scene from the perspective of\nDiana, we need to create an immersive experience for the reader.\nFirst, let's set the tone and atmosphere.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">To\nestablish the sense of foreboding, I'll focus on creating an eerie\nambiance through descriptive language. Since Diana is on the 21st\nfloor, I can emphasize her height above the ground, making the\nwindow's explosion seem like a catastrophic event.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Next,\nI'll introduce Diana's POV character. We'll delve into her thoughts,\nemotions, and reactions to create a connection with the reader. To\nbuild tension, we can hint at something sinister lurking in the\nshadows or Diana herself, which she's not aware of yet.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Now,\nlet's address the scene itself – the window exploding. This should\nbe a visceral experience for the reader. To make it more shocking, I\ncan use words that create an unsettling sense, like "sputtering,"\n"splintering," or "shattering." Additionally,\nI'll include some graphic descriptions to emphasize the impact of the\nevent on Diana.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here's\na possible outline to structure this 2000-word scene:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n1: Introduction and Establishing atmosphere (approx. 400-500 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe cityscape, focusing on skyscrapers and their surroundings.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tDiana's POV, her height, and her position in the building (21st\n\tfloor).</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Show\n\ther daily routine or activities to give insight into her character.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Hint\n\tat an eerie atmosphere, setting up tension.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n2: The explosion (approx. 400-500 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe window's sudden shattering as Diana watches.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Focus\n\ton the visual details of the explosion (sputtering glass,\n\tsplintering wood, shattered remains).</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Emphasize\n\tDiana's visceral reaction, describing her physical sensations and\n\temotions (shock, fear, disgust).</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n3: Confrontation (approx. 500-600 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\n\tDiana reacts to the explosion, the scene shifts to reveal possible\n\tunseen consequences (creeks, cracks, sounds).</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\n\tbegins to notice the building swaying, her unease growing.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Explore\n\ther mental state and potential fears, creating a sense of\n\tclaustrophobia or vulnerability.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n4: Climax and resolution (approx. 600-700 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tDiana's attempts to understand what caused the explosion and its\n\tconnection to her situation.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tmore ominous elements: possible hallucinations, whispers, strange\n\tnoises.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana's\n\tperspective is tested as she navigates this terrifying reality,\n\tleaving the reader on the edge of their seat.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n5: Resolution (approx. 200-300 words)</span></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Show\n\tDiana's actions or thoughts as she copes with the aftermath of the\n\texplosion and her terrifying surroundings.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Gradually\n\tbuild up to a more intense scene, providing a climactic moment\n\tbefore resolving the scene.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfinal goal is to craft this vivid and graphic horror scene in an\nengaging, immersive way that engages the reader.</span></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><b>OUTPUT: ( NOTE:\nprompt per act )</b></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p><span style=\"display: inline-block; border: none; padding: 0cm\">The\ncompleted 2000-word scene, I've broken it down into acts with word\ncount ranges.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Now,\nlet's see how this would work, using Diana as the POV character, and\nbuilding up tension to create a thrilling narrative that lingers on\nin the reader's mind.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Initial\nScene</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\nstood at her window, gazing out at the concrete canyons below. The\ncity pulsed like a living entity, its steel and glass spires reaching\nfor the sky as night fell. I was high up here – 21 stories, to be\nprecise – so that meant I saw the ground from an odd perspective.\nAs I looked down, the distant streets seemed like a maze of twinkling\nlights, and the sounds of car horns and chattering pedestrians became\nmuffled.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\noften stood at my window, watching the city in the dark, lost in my\nown thoughts. The rhythmic hum of the air conditioning or the distant\nthrum of the subway couldn't compete with my internal monologue. In\nthose moments, I could feel the world's chaos ebbing away, and it was\njust me, lost in the darkness.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nglass of my window glowed softly, a blue tinted hue reflecting the\nneon lights below. A gust of wind caressed the edge, making the panes\nvibrate with a gentle tremor. The city seemed to be swaying, and I\nfelt a twinge of unease as if it had an unsettling sense of humor.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstepped away from the window, the chill air biting at my face. As I\nturned back to the glass, I caught a fleeting image that made my\nblood run cold.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nwindow in front of me was starting to shatter.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">A\nsputtering, spitting sound filled my ears as a chunk of glass\ndisintegrated and crashed onto the floor below. The room's lighting\nflickered and then went dark, plunging me into an eerie, dimly-lit\nspace. I stood transfixed, the sound growing in intensity until the\nglass shattered completely.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nshards exploded into the air around me, flying in every direction.\nThe sound of my own scream was lost as the glass crunched and\nsplintered, sending tiny chips flying in a cacophony of shattering,\nscraping, and crunching.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">My\nheart racing, I stared out the window as the view turned to ruin. The\ncity lights above seemed like they were screaming in protest.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nwatched as the room around me, which just moments before had been a\nperfectly normal, albeit dimly lit space, began to wobble on its\nfoundations.</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>continue\nwith act 2</span></i></p>\n<p><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Act\n2: Confrontation (approx. 500-600 words)</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstumbled backward from the shattered glass, my heart pounding in my\nchest. The air seemed thick and heavy, as if it had been poisoned by\nthe shattering sound. The lights flickered back to life, casting an\neerie glow over the room.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nswaying of the building only intensified as I stood there, frozen\nwith fear. The window frame that had held the shattered glass now\nleaned precariously, as if it was about to topple. I took a hesitant\nstep forward, my foot crunching on a piece of broken glass.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\npeered out into the darkness, trying to get my bearings. The room was\nin disarray – furniture was askew, and debris lay scattered\neverywhere. My phone's screen was cracked but still lit up, casting\nan ominous red glow over everything.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nturned back to the window, but it had stopped shaking. I could see a\nhasty scurried crowd below, people running to escape some unseen\ndanger. Panic was beginning to set in, and my mind frantically\nsearched for any sign of what was happening. I scanned the room\nagain, my eyes adjusting to the dim light.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nthe darkness receded, I noticed strange, disquieting sounds. At\nfirst, it was just the distant hum of the air conditioning, but then,\nit started to take on a life of its own – a low, rumbling growl,\nlike thunder, but there was no storm. The sound seemed to emanate\nfrom all around me, echoing in my skull.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\ntook another step back, and the floor creaked, making me jump. My\nheart was racing so fast I could feel it threatening to burst free of\nmy chest.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">My\nphone's screen flickered, casting an erratic light across the room.\nThe red glow made everything seem to pulse with a malevolent energy.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">A\nfaint scratching noise began at my feet, growing louder with each\npassing second. It was like fingernails on a chalkboard –\nhigh-pitched and jarring. The sounds seemed to come from all over the\nroom, like insects swarming around me.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nlights flickered once more, this time in sync with the scratches. I\ntook a deep breath, my senses on high alert as I tried to make sense\nof this chaotic scene. Where was it coming from? And what was going\nto happen next?</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">My\nvision began to blur as the scratching noise intensified. It was like\na thousand tiny claws tearing through the air around me, shredding\neverything in their path. The floor beneath my feet seemed to shudder\nand vibrate, as if the building itself was about to split open.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nsounds grew more frantic – screeching metal, groaning wood – and\nmy phone screen went dark, plunging me into an even deeper darkness.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Additional\nNotes</span></strong></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tthe unsettling sound of the scratching, which creates tension and\n\tdiscomfort for Diana.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Emphasize\n\tDiana's sense of unease, her physical sensations, and emotional\n\tstate as the scene progresses.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Suggest\n\tthat something is wrong with the building, perhaps a structural\n\tissue or an unseen danger.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Build\n\tanticipation by creating a sense of uncertainty, as Diana tries to\n\tmake sense of the chaos around her.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Let\nme know when you'd like me to continue with Act 3!</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>continue\nwith act 3</span></i></p>\n<p><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Act\n3: Climax (approx. 600-700 words)</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstood frozen in place, unable to process what was happening around\nme. The scratching noise had grown to a deafening crescendo, and the\nair seemed to vibrate with tension. I could feel my heart pounding in\nmy ears, making it hard to hear anything else.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nlights flickered one last time, and then went out, plunging me into\ntotal darkness. I was trapped in a living nightmare, surrounded by\nunseen terrors. The scratching noise was deafening – a high-pitched\nwhine that made my teeth ache.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nfelt myself being pulled away from the window, as if an invisible\nforce was dragging me back. I stumbled through the darkened room,\ntrying to get my bearings. The floor seemed to be moving beneath my\nfeet, and I stumbled again, nearly falling over.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI regained my balance, I caught a glimpse of something out of the\ncorner of my eye. It was a sliver of light, a faint glow that seemed\nto be coming from the other side of the room. My heart skipped a beat\nas I realized it might be a way out.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">With\na surge of determination, I took off in that direction, the\nscratching noise receding as I moved away from the window. My eyes\nwere adjusted to the darkness, but I could still feel the vibrations\nbeneath my feet, making every step like walking on an unsteady\ntightrope.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nfumbled in my pocket for my phone, and the screen flickered back to\nlife, casting a weak blue glow over the room. The light revealed more\ndestruction than I'd expected – furniture overturned, clothes\nscattered everywhere, and debris covering every surface.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI pushed through the chaos, I caught a glimpse of something that made\nmy blood run cold. A figure, shrouded in darkness, stood just beyond\nthe reach of the weak light. It was too still, too quiet – it\nseemed to be watching me with an unblinking gaze.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">My\nheart racing, I stumbled forward, desperate to get away from whatever\nhorror this thing represented. The phone screen flickered as I raised\nit to my face, but the figure didn't move. It remained motionless,\nits dark shape a harbinger of doom.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfloor groaned beneath me, and the building creaked in a way that\nseemed almost... human. I realized, with a jolt of fear, that the\nbuilding was starting to disintegrate around me.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">In\nmy mind, the thought took on a new, nightmarish meaning – the\nstructure that had been my sanctuary, my safe haven, was slowly\ntearing itself apart, leaving me to face whatever horrors lurked\nwithin. The lights flickered once more as the floor beneath me\ngroaned, and I felt the building lurch, as if it was being pulled\nfrom the earth.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstumbled forward, the figure now mere steps away, its gaze unwavering\nand unblinking. In that moment, I knew I had to make a choice –\nface my fears head-on or try to find another way out of this living\nhell.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nlights dimmed once more, plunging me back into darkness. The world\nwent quiet, and all I could hear was the sound of my own ragged\nbreathing.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Additional\nNotes</span></strong></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tthe sliver of light as a potential escape route, adding tension and\n\thope to the scene.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Emphasize\n\tDiana's growing sense of desperation and fear, as she confronts the\n\tunknown dangers lurking in the room.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Suggest\n\tthat the building itself is in danger of collapse or disintegration,\n\traising the stakes and creating a sense of urgency.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Let\nme know when you're ready for Act 4!</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>continue\nwith act 4</span></i></p>\n<p><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Act\n4: Climax and Resolution (approx. 600-700 words)</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstumbled forward, my eyes fixed on the dark shape that loomed before\nme. My heart pounded in my chest as I tried to make sense of what was\nhappening. The figure seemed to be getting closer, its presence\nfilling the room with an unspoken menace.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Suddenly,\nthe lights flickered once more and then went out completely. I was\nplunged into total darkness, surrounded by an oppressive silence. I\nwas acutely aware that I had only a few seconds before whatever\nhorror lurked in the shadows found me.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nfroze for a moment, unsure of what to do. Then, with a surge of\nadrenaline, I reached out and felt my way across the room. The phone\nscreen flickered back to life, casting a weak blue glow over\neverything. I used it as my guide, my fingers tracing along the edges\nof the furniture as I stumbled through the darkness.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfloor creaked beneath me, making it hard to keep my balance. I took\ndeep breaths, trying to calm my racing heart. I knew I had to get\naway from whatever was behind me – the scratching noise, the\npresence in the room, it all seemed to be drawing closer.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI fumbled my way through the darkness, I started to notice that the\ncreaking and groaning of the floor were getting louder, more intense.\nIt was as if the building itself was trying to warn me of something –\na catastrophic event, or worse.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstumbled, my foot catching on a loose wire. I fell hard, the wind\nknocked out of me. For a moment, I lay there, unable to breathe. When\nI finally managed to catch my breath, I realized that I was trapped.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nscratching noise was now a cacophony of sound – nails on metal,\nglass shattering, and the building creaking in pain. I could feel the\nground shaking, and the walls were starting to shudder. The room was\ndisintegrating around me.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nscrambled to my feet, using the phone's weak light as my guide. I\nknew I had only a few seconds to escape before everything came\ncrashing down.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nsprinted for the nearest door, my heart in my throat. I flung it\nopen, revealing a narrow corridor stretching out into the darkness.\nThe lights from my phone cast eerie shadows on the walls – twisted,\ndistorted images that seemed to writhe and twist in the flickering\nlight.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Without\nhesitation, I took off down the corridor, the sounds of the\nbuilding's collapse growing louder with every step. I was running for\nmy life, driven by a primal urge to survive.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI emerged from the building, the night air was cold and clear – a\nwelcome respite from the darkness within. I stumbled, gasping for\nair, but quickly regained my footing. I looked back at the\nskyscraper, watching in horror as it disintegrated around me –\nfloors caved in, glass shattering, and the screams of those trapped\ninside echoing through the night.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">And\nthen, everything was still.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nbuilding collapsed, sending a massive cloud of dust and debris into\nthe air. I stood there, frozen, my heart still pounding with fear.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Epilogue</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nstumbled away from the building, unsure what had happened or what lay\nahead. The city lights twinkled around me like stars in the night\nsky, but I knew that everything was different – the darkness I had\nfaced in those skyscrapers would forever be etched into my soul.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI walked, I couldn't help but wonder: how many others were trapped,\nhow many stories were still left untold? The city lights seemed to\nmock me, a reminder that the horrors I had faced were only the\nbeginning – and that there was always more darkness to come.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Additional\nNotes</span></strong></p>\n<ul>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Emphasize\n\tDiana's growing sense of desperation and fear as she navigates the\n\tdisintegrating building.</span></p></li>\n\t<li><p style=\"margin-bottom: 0cm; border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Suggest\n\tthat the building's collapse is both catastrophic and inescapable,\n\tmaking Diana's escape more urgent.</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Leave\n\tsome questions unanswered to create a sense of uncertainty and\n\tforeboding.</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>continue\nwith act 5</span></i></p>\n<p><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Act\n5: Resolution (approx. 200-300 words)</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\ndidn't stop running until I was blocks away from the building. The\ncity lights twinkled around me like stars, a surreal contrast to the\nchaos behind me. My phone was still lit, its weak glow illuminating\nmy face as I stared back at the destruction.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nfinally stopped running when I reached a small café. Inside, it was\nwarm and safe – the kind of place where strangers became temporary\nfriends. I ordered a coffee and collapsed into a chair, feeling like\nI'd been punched in the gut.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nI sipped my coffee, trying to make sense of what had just happened, I\nsaw a news report on TV about the building's collapse. The footage\nwas grainy, but it showed people running from the building, screaming\nand crying. The camera panned across the wreckage – shattered\nglass, splintered wood, and debris everywhere.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nannouncer spoke in a flat voice, "This is just one of many\nbuildings that has suffered catastrophic damage in the past 24 hours.\nExperts say that something is causing widespread destruction, leaving\nauthorities to scramble for answers."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nsat there, numb, as the report continued. The city I knew was gone –\nreplaced by a surreal landscape of devastation. I wondered how many\nothers were affected, how many had lost their homes, their lives.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nwords on the screen became a jumble of incomprehension. I couldn't\nwrap my head around it all. I thought back to Diana, the one who had\nbeen trapped in that building – did she survive? And if so, where\nwas she now?</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">A\nshiver ran down my spine as I realized I had become a part of\nsomething much larger than myself – a story that was just beginning\nto unravel. I took another sip of coffee, feeling like I was the only\nperson left standing.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><strong>Closing\nScene</span></strong></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nthe news report faded into static, I stood up and gazed out at the\ncity. The skyscrapers still towered above, but their faces were now a\nlittle more sinister, as if they too knew what was coming. I\nshivered, despite the warm air around me.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nlights of the city twinkled like a warning – a warning that I had\nbecome a part of something darker, something more ancient and\nsinister than anything I could have ever imagined.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I\nsmiled, and for a moment, my heart wasn't pounding in fear, but\nrather anticipation. What lay ahead? Would Diana be there to tell me\nthe story of how this world had crumbled?</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Or\nwould she remain lost in the darkness, trapped forever in that\nbuilding, haunted by the memories of what happened on that fateful\nnight?</span></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\">---</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#c9211e\"><b>6\nexperts:</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><font color=\"#000000\"><b>---</b></font></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><b>Thought\nfor 30.58 seconds</span></b></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Ah,\nI see that we're tasked with crafting a chilling and immersive\n2000-word scene from the perspective of Diana. To begin, I'd like to\nexplore the initial atmosphere and setting.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Firstly,\nlet's establish the foreboding tone and tension by setting the scene.\nThe 21st floor is an ideal location for our protagonist to experience\nthe terror, as it suggests that Diana has just witnessed something\ncatastrophic, possibly even a breach in the building's structural\nintegrity.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Now,\nto introduce the swaying sky scraper. This will create an immediate\nsense of unease and uncertainty among the reader. I'd suggest\ndescribing the motion of the skyscraper with vivid details. The word\n'sways' is an excellent choice here as it implies a sense of\ndeliberate movement, rather than random or chaotic action.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfact that the window in front of Diana 'explodes' will undoubtedly be\na pivotal moment. I would emphasize the graphic nature of the\nexplosion and its impact on our protagonist, making sure to use\nsensory details to immerse the reader in the scene. To put it more\neffectively: "I watch as shards of glass and debris shatter,\nstriking the wall behind me like a hail of razor-sharp projectiles"\nor something similar.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Having\nestablished the immediate chaos, I think it's essential to introduce\nDiana's point of view. The use of 'I' and first-person narrative\nallows us to become fully immersed in Diana's world, and I believe\nher thoughts, emotions, and reactions will add depth and relatability\nto the scene. Perhaps I could delve into her state of mind and\nphysical condition at that exact moment. What has she seen or\nexperienced up until this point, and how will it affect her\nperception of what is happening?</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I'd\nsuggest a gradual build-up of tension as the story unfolds, perhaps\nexploring Diana's attempts to make sense of the event, her growing\nparanoia, and her rising fear. This will keep the reader engaged and\ninvested in the scene's progression.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Considering\nthe word count of 2000 words, I believe it would be ideal to break\ndown the narrative into distinct sections or acts. Act one could\nfocus on setting the scene, introducing Diana, and her initial\nreactions to the event. The explosion could serve as a catalyst for\nthe next act, where Diana becomes more aware of her surroundings, the\ndanger they're in, and the true horror that's unfolding.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nwe progress, I'd introduce additional plot points, characters, or\nconflicts to add depth and variety. This might involve a mysterious\nfigure emerging, other victims being trapped, or an eerie sound\neffect signaling further danger.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">In\nact three, I'd aim to intensify the tension, bring about new\nrevelations, or reveal a deeper conspiracy behind the destruction of\nthe skyscraper. The climax of this act could be Diana's confrontation\nwith her fears or a horrific discovery that drives home the true\nhorror she's been facing all along.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Throughout\nthis 2000-word scene, I'd want to masterfully weave together vivid\nimagery, unsettling atmosphere, and an engaging narrative. This will\nhelp the reader feel like they're part of the horror experience,\nliving through Diana's fears and uncertainty with each word.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here\nis a possible 2000-word plan:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n1: Setting the Scene (approx. 500-700 words)</span></p>\n<ul>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tDiana as she begins her day</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\ther environment and initial thoughts on the day</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe skyscraper and the view from her window</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n\t2: The Explosion (approx. 400-600 words)</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Show\n\tDiana's immediate reaction to the explosion</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Emphasize\n\tthe graphic details of the event and its impact on Diana</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Start\n\texploring Diana's growing unease and fear</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Introduce\n\tthe skyscraper's swaying motion to add tension</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Act\n\t3: Descent into Horror (approx. 700-1000 words)</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\tthe strange occurrences, eerie sounds, and events as the scene\n\tprogresses</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Develop\n\tDiana's fear and paranoia, perhaps revealing her past or inner fears</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Gradually\n\tincrease tension as Diana's understanding of the true horror grows</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Confrontation\n\t(approx. 200-400 words)</span></p></li>\n\t<li><p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Describe\n\ta key confrontation between Diana and a figure representing the main\n\tantagonist or the embodiment of fear</span></p></li>\n</ul>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">After\na moment's introspection, I realize that to make the scene even more\nterrifying and memorable for the reader, it would be essential to\nkeep their imagination guessing and add some unsettling subtext. This\ncan be achieved through creative descriptions of environmental\ndetails, carefully selected metaphors, and carefully timed imagery.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">What\ndo you think?</span></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n<p><span style=\"display: inline-block; border: none; padding: 0cm\"><i>write\nup act 1</span></i></p>\n<p style=\"margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Thought\nfor 24.42 seconds</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">For\nAct 1, I'd focus on setting the scene, introducing Diana, and her\ninitial thoughts on the day. To begin, I'll write an opening\nparagraph that establishes her ordinary life and her perspective\nbefore the catastrophic event:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"The\nsun rises over the city, casting its golden glow through the steel\nand glass tower that is my home. I stand at the window of my\n21st-floor apartment, sipping my morning coffee, feeling a sense of\ncalm wash over me as I watch the world come to life below. The sounds\nof traffic, the chatter of pedestrians, and the distant hum of the\ncity's engines create a symphony that never gets old. I'm grateful\nfor this view, this chance to start each day with the thrill of\npossibility."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfirst few paragraphs can establish Diana's daily routine:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I\nbegin my morning routine, the familiar motions a comfort. Brushing my\nteeth, combing my hair, and getting dressed are all tasks I complete\nwith ease, each one a reminder of the mundane world I inhabit. The\nalarm clock on my bedside table reads 8:05, and I roll out of bed, my\nmuscles groggy from the night's sleep. A quick shower, a towel\nwrapped around my waist, and I'm ready to take on the day. I head to\nthe kitchen to make myself some breakfast, cracking open a bag of\nwhole grain cereal and pouring in the milk. The milk is cold, and the\ncereal crunches as I eat, providing a satisfying start to my day."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I'd\nwant to capture Diana's thoughts and feelings in this part, perhaps\nexploring what she's looking forward to that day, or any lingering\nmemories from the previous day.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">To\nkeep things engaging, I can interweave some subtle hints about\npotential darkness beneath the surface. For instance:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I've\nhad a few weird dreams lately – dark places with twisted, gnarled\ntrees and impossible shadows that seem to move on their own. They\nfeel like something's trying to get through to me, but when I wake\nup, it's just my heart pounding and the sheets drenched in sweat.\nStill, the city outside feels different from the dream world, and the\nsun's warmth seeps into my skin, making me grateful for this ordinary\nreality."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">This\npassage adds a sense of foreboding to Diana's morning routine while\nmaintaining a generally pleasant atmosphere.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Next,\nI can introduce some environmental details to further immerse the\nreader in Diana's world:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"Behind\nme, the city stretches out – an endless sea of steel, concrete, and\nglass. I can see the other buildings, the streets, the lights\nreflecting off the rain-slicked roads. The skyscrapers are the\ntallest in the city, and from this height, they feel like giant steel\npillars, holding the world up. The sound of cars on the street below\nis constant, but I'm not really paying attention to that. My thoughts\nhave already wandered back to my work for the day. I have a meeting\nwith an important client, and I still need to go over the\npresentation I'll be giving later."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Finally,\nI'll wrap up Act 1 by showing Diana getting ready to face her day:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I\nfinish my breakfast, making sure not to make a mess, then quickly\ncheck my email and news updates on my phone. The messages and\nheadlines all look normal, nothing that would concern me. It's just\nanother day in the city. I grab my bag, locking the apartment door\nbehind me, and head out into the waiting morning. I join the flow of\npeople moving down to the streets below, the noise of the city\nswirling around me as I take a deep breath. I feel alive. For now."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here\nis Act 1:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\nstood at her window, the sunlight casting its warm glow over the\ncity. She sipped her morning coffee, feeling the comforting routine\nof her daily life. The sounds of traffic and pedestrians, the hum of\nthe engines in the distance, created a symphony that never got old.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nshe watched, people began to emerge from their own apartments, going\nabout their day with varying degrees of enthusiasm or dread. Diana\ntook in the view one last time, the steel and glass tower her home,\nbefore turning away.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nalarm clock on her bedside table read 8:05, and she rolled out of\nbed. She took a quick shower, her muscles still a little sore from\nsleep, and then made herself some cereal for breakfast. As she sat at\nthe table to eat, the milk was cold, the crunch of the cereal a\nsatisfying start to the day.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana's\nmind began to wander. She had a few weird dreams lately – dark\nplaces with twisted, gnarled trees and impossible shadows. They felt\nlike something's trying to get through to her, but when she woke up,\nit was just her heart pounding and the sheets drenched in sweat.\nStill, the city outside felt different from the dream world.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\ncity stretched out behind her, an endless sea of steel, concrete, and\nglass. Diana could see the other buildings, the streets, and lights\nreflecting off the rain-slicked roads. The cars on the street below\nhummed a constant sound, but she wasn't really listening. Her\nthoughts had already wandered back to her work for the day.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">A\nmeeting with an important client loomed, and Diana still needed to go\nover her presentation. She finished her breakfast, making sure not to\nmake a mess, and then quickly checked her email and news updates on\nher phone. The messages and headlines looked normal; nothing that\nwould concern her. It was just another day in the city.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I'll\nstop here and proceed with Act 2: "The Explosion."</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>write\nup act 2 </span></i>\n</p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><b>Thought\nfor 20.68 seconds</span></b></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">For\nAct 2, I'd aim to create an intense and terrifying scene that propels\nDiana into a state of chaos. The goal is to immerse the reader in the\nhorrors she's experiencing, making them feel like they're trapped in\nthe skyscraper alongside Diana. Here's my approach:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nexplosion in the window will be the inciting incident, setting off a\nchain reaction of fear and panic. I'd describe the scene with vivid\ndetails to put the reader in the midst of it:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"As\nI watch, the glass shatters, and debris litters the air like a hail\nof razor-sharp projectiles. The sound is deafening – a mixture of\ncrunching glass, shattering concrete, and the sickening thud of\nimpact. I'm caught off guard, my coffee and breakfast forgotten as my\nmind tries to process what's happening. I stumble back, my hands\ngrasping for something to steady myself."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Next,\nI'll delve into Diana's growing sense of panic:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"Time\nseems to slow down, and my thoughts become a jumbled mess. My heart\nis racing, my breath coming in short gasps. I try to push through the\nfog, but my vision blurs, and my legs feel like jelly. The sounds are\nbecoming a cacophony – the crunching of glass, the wails of distant\nscreams, and the creaking of the building as it sways. I'm\ndisoriented, my body screaming for some semblance of normalcy."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">To\nfurther amplify the sense of danger and chaos, I can introduce the\nswaying motion:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"The\nbuilding lurches to one side, and I stumble, grabbing onto the wall\nto steady myself. The swaying motion is relentless, a maddening\nrhythm that feels like it's going to consume me whole. I try to focus\non my breathing, but my mind is racing – where will the next impact\ncome from? Will I be crushed by a falling piece of debris or crushed\nby the sheer weight of the building itself?"</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nthe situation spirals out of control, Diana's fear and panic turn\ninto something more primal:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"Something's\ncoming for me, something that wants to tear me apart. My eyes are\nscanning the room, searching for an escape, but every door seems like\na death sentence. I'm trapped, caught in this monstrous machine of\nsteel and glass. The sounds grow louder – the crashing, the\nscreams, the creaking of wood and concrete. I'm running on\nadrenaline, but it's wearing off, leaving me shaking and vulnerable."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">This\nact will wrap up with Diana's world shattering around her as she's\nconfronted with a new, terrifying reality:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"The\nroom begins to shake, and I stumble, almost falling. The lights\nflicker, casting eerie shadows on the walls. The building seems to be\ngiving in, its bones creaking under the stress. And then, there's\nsilence. No sounds at all, except for the pounding of my heart. I\nwait with bated breath, my eyes scanning the room for any sign of\nwhat's to come next."</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here\nis Act 2:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\nstood at her window, the sunlight casting its warm glow over the\ncity, and the ordinary routine of her daily life seemed like just\nthat - ordinary. She was about to start her workday, preparing for a\nmeeting with an important client. But the view from the window would\nbe one she never saw again.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nshe sipped her morning coffee, the sounds of the city – traffic,\npedestrians, and the distant hum of engines – created a symphony\nthat never got old. The scene outside was the perfect reflection of\nher own world: fast-paced, unpredictable, and yet, somehow,\nmanageable.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">But\nthen, something changed.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nglass in front of her window shattered, and debris littered the air\nlike a hail of razor-sharp projectiles. The sound was deafening – a\nmixture of crunching glass, shattering concrete, and the sickening\nthud of impact. Diana felt as though time had slowed down. Her body\nfroze, her heart stopped beating, as the world around her spiraled\nout of control.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\nstumbled backward, her hands grasping for something to steady\nherself. "What's happening?" she whispered, her mind\nreeling. The sounds were becoming a cacophony – crunching glass,\nscreams, and the creaking of the building as it swayed. She tried to\npush through the fog but her vision was blurring.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nbuilding lurches to one side, and she stumbles, grabbing onto the\nwall to steady herself. Diana's thoughts became a jumbled mess as she\nrealized her entire world had come crashing down.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Something's\ncoming for me, something that wants to tear me apart. The thought\nflitted through her mind like a ghost. I'm trapped. I need to think.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">She\nscanned the room for an escape, but every door seemed like a death\nsentence. Where will the next impact come from? Will I be crushed by\nfalling debris or the weight of the building itself? Her eyes darted\nback and forth, desperate for a way out.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nsounds grow louder, crashing, screaming, the creaking of wood and\nconcrete. She was running on adrenaline, but it's wearing off,\nleaving her shaking and vulnerable.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nroom began to shake, and Diana stumbled, almost falling. The lights\nflickered, casting eerie shadows on the walls. And then, there's\nsilence. No sounds at all, except for the pounding of her heart. I\nwait with bated breath, my eyes scanning the room for any sign of\nwhat's to come next.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nscene fades into an unsettling darkness as Diana is consumed by her\nown fears, and the world around her shatters in ways both visible and\nunseen.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Let\nme proceed with Act 3: "Descent into Horror".</span></p>\n<p style=\"border: none; padding: 0cm\"><br/>\n<br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><i>write\nup act 3</span></i></p>\n<p style=\"margin-bottom: 0cm\"><br/>\n\n</p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\"><b>Thought\nfor 24.08 seconds</span></b></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">For\nAct 3, I'd want to create a deeply unsettling and terrifying\nexperience for Diana. The scene should delve into the darkness of her\nfears and the true horror she's faced with, making the reader feel\nlike they're descending into madness alongside her. Here's my\napproach:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I'll\nintroduce the strange occurrences that have begun to plague the\nbuilding, emphasizing their inexplicable and surreal nature. This can\ncreate a sense of creeping unease in the reader, as Diana's\nperceptions are challenged by the increasingly bizarre events:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"The\ndays pass, each one a blur of fear and uncertainty. I try to make\nsense of what's happening, but my mind is a jumbled mess of\ncontradictory thoughts and feelings. The building sways more than\nusual, and I can hear whispers in the walls. Faint, almost\nimperceptible, but there – whispers that seem to come from nowhere,\nfrom everywhere. It's like someone is speaking directly to me, their\nvoice barely audible."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nscene will take a dark turn as Diana's paranoia and fear consume her.\nShe starts to question her own sanity and the world around her:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"Am\nI going crazy? Am I the only one who sees this? I try to push the\nthoughts away, but they linger in the shadows of my mind, whispering\nlies. The building seems to be playing tricks on me – doors slam\nshut without warning, and I hear footsteps outside my apartment when\nno one's there. It's as if I'm trapped in some twisted game, and I'm\nnot sure which side I'm on."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nthe situation spirals out of control, Diana will be forced to\nconfront her deepest fears:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I\nfind myself in front of a mirror, staring at my own face. It's\ndistorted, twisted – as if someone's scratched their fingers across\nit. I see things in my reflection that aren't there, monstrous\ncreatures lurking just beneath the surface of my skin. The voice in\nmy head is growing louder, more insistent. 'You're not who you think\nyou are. You're not who you want to be.'"</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nclimax of this act will take place when Diana discovers the truth\nabout the building and her role in it. This revelation will be a\nmasterful blend of horror, science fiction, and psychological terror,\nas the reader is left questioning everything they thought they knew\nabout the world.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I\nstumble upon a hidden room, deep within the building's bowels.\nInside, I find evidence of a sinister experiment – a study on fear,\non the human psyche. They've been manipulating me, using me as a\nsubject in their twisted research. The whispers, the swaying motion –\nit was all just part of the experiment. I'm trapped, a prisoner in\nthis steel and concrete cage."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">This\nact will conclude with Diana's world shattering into pieces, leaving\nthe reader stunned and frightened by the realization of what's truly\nhappening.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nfinal scene is set in the hidden room:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"I\nrealize that the voice in my head, the one that whispered 'You're not\nwho you think you are' – it was a warning. A warning to get out\nwhile I still could. But it's too late. The building's walls close in\naround me, and I'm consumed by darkness.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">In\nthis final act, Diana finds herself face-to-face with the horror\nshe's been trying to escape for so long. The experiment has twisted\nher perceptions, and the world around her has turned into a\nnightmarish realm where terror lurks in every corner."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Here\nis Act 3:</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nthe days passed, Diana's fear and uncertainty deepened. She tried to\nmake sense of what was happening, but her mind was a jumbled mess of\ncontradictory thoughts and feelings. The building swayed more than\nusual, and she could hear whispers in the walls. Faint, almost\nimperceptible, but there – whispers that seemed to come from\nnowhere, from everywhere.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nwhispers grew louder in her mind, a constant presence that seemed to\nfollow her everywhere she went. Diana tried to push them away, but\nthey lingered in the shadows of her mind, whispering lies.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">"Am\nI going crazy?" she asked herself, her voice barely above a\nwhisper. "Am I the only one who sees this? The building seems to\nbe playing tricks on me – doors slam shut without warning, and I\nhear footsteps outside my apartment when no one's there. It's as if\nI'm trapped in some twisted game, and I'm not sure which side I'm\non."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">As\nshe walked down the hall, Diana heard the sound of scurrying feet,\nlike someone was trying to follow her. She spun around, but there was\nno one there. The footsteps grew louder, closer, until she felt a\nchill run down her spine.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">She\nturned back, her eyes locked on the door behind her, and that's when\nshe saw it: the mirror.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nglass surface distorted her reflection, twisting it into a grotesque\nparody of her own face. Diana stumbled back, her heart racing, as she\nrealized she was staring at something not quite human. A creature,\nlurking just beneath the surface of her skin.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">The\nvoice in her head was growing louder, more insistent. "You're\nnot who you think you are," it whispered. "You're not who\nyou want to be."</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">Diana\nfelt herself being pulled into a nightmare from which she couldn't\nwake. Her reflection began to warp and contort, as if she were\nwatching herself being transformed from the inside out.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">She\nstumbled, almost falling, as the room seemed to spin around her. The\nmirror's surface rippled, like water disturbed by a stone, revealing\na dark and twisted truth.</span></p>\n<p style=\"border: none; padding: 0cm\"><span style=\"display: inline-block; border: none; padding: 0cm\">I've\nhidden something from you. You are not who you think you are.</span></p>\n<p style=\"line-height: 100%; margin-bottom: 0cm\"><br/>\n\n</p>\n\n---\n\n<h2>Special Thanks:</h2>\n\n---\n\nSpecial thanks to all the following, and many more...\n\nAll the model makers, fine tuners, mergers, and tweakers:\n- Provides the raw \"DNA\" for almost all my models.\n- Sources of model(s) can be found on the repo pages, especially the \"source\" repos with link(s) to the model creator(s).\n\nHuggingface [ https://huggingface.co ] :\n- The place to store, merge, and tune models endlessly.\n- THE reason we have an open source community.\n\nLlamaCPP [ https://github.com/ggml-org/llama.cpp ] :\n- The ability to compress and run models on GPU(s), CPU(s) and almost all devices.\n- Imatrix, Quantization, and other tools to tune the quants and the models.\n- Llama-Server : A cli based direct interface to run GGUF models.\n- The only tool I use to quant models.\n\nQuant-Masters: Team Mradermacher, Bartowski, and many others:\n- Quant models day and night for us all to use.\n- They are the lifeblood of open source access.\n\nMergeKit [ https://github.com/arcee-ai/mergekit ] :\n- The universal online/offline tool to merge models together and forge something new.\n- Over 20 methods to almost instantly merge model, pull them apart and put them together again.\n- The tool I have used to create over 1500 models.\n\nLmstudio [ https://lmstudio.ai/ ] :\n- The go to tool to test and run models in GGUF format.\n- The Tool I use to test/refine and evaluate new models.\n- LMStudio forum on discord; endless info and community for open source.\n\nText Generation Webui // KolboldCPP // SillyTavern:\n- Excellent tools to run GGUF models with - [ https://github.com/oobabooga/text-generation-webui ] [ https://github.com/LostRuins/koboldcpp ] .\n- Sillytavern [ https://github.com/SillyTavern/SillyTavern ] can be used with LMSTudio [ https://lmstudio.ai/ ] , TextGen [ https://github.com/oobabooga/text-generation-webui ], Kolboldcpp [ https://github.com/LostRuins/koboldcpp ], Llama-Server [part of LLAMAcpp] as a off the scale front end control system and interface to work with models.\n",
"related_quantizations": []
},
"tags": [
"gguf",
"reasoning",
"thinking",
"uncensored",
"gated",
"mixture of experts",
"moe",
"8x3B",
"Llama 3.2 MOE",
"128k context",
"creative",
"creative writing",
"fiction writing",
"plot generation",
"sub-plot generation",
"story generation",
"scene continue",
"storytelling",
"fiction story",
"science fiction",
"romance",
"all genres",
"story",
"writing",
"vivid prosing",
"vivid writing",
"fiction",
"roleplaying",
"float32",
"swearing",
"rp",
"horror",
"mergekit",
"llama-3",
"llama-3.2",
"text-generation",
"en",
"license:apache-2.0",
"endpoints_compatible",
"region:us"
],
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"last_modified": "2025-07-28T00:11:58.000Z",
"created_at": "2025-05-15T08:03:35.000Z",
"pipeline_tag": "text-generation",
"library_name": ""
}
Source payload excerpt (from Hugging Face API)
{
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"sha": "af458446ee0f6c7596d0ffd518486b56be605b1a",
"createdAt": "2025-05-15T08:03:35.000Z",
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"author": "DavidAU",
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